FROM DAYBREAK TO GOOD NIGHT

POEMS FOR CHILDREN

Smith-Ary makes this skimpy but thoughtful introduction to Sandburg’s poetry a personal one, both by folding in two poems by other poets, and by illustrating the selections with scenes of the white-haired Sandburg happily entertaining a visiting group of children—plus an occasional zebra—on the North Carolina farm where he spent the latter years of his life. Yes, the oft-reprinted “Fog” is here, but the other poems are less well known: the poet addresses a bluebird in “Bluebird, What Do You Feed On?” advises readers to “Try Being A Goat,” notes that “Spring” is a good time to look at the world from fresh new angles, orders “Milk White Moon, Put the Cows To Sleep,” then closes with the suggestion that there are many ways to spell “Good Night.” Smith-Ary’s art, crayon on acetate and then more crayon, has child appeal galore and it captures the relaxed and comfortable side of the poet who sometimes sang with the children who visited. It’s just a sip of Sandburg, but a rich one, and an old but outstanding collection, Rainbows Are Made (1982), is waiting in the wings for children drawn to his distinctive voice and sensibility. (Poetry. 6-10)

Pub Date: Nov. 1, 2001

ISBN: 1-55037-680-2

Page Count: 24

Publisher: Firefly

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 15, 2001

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Here’s hoping this will inspire many children to joyfully engage in writing.

WRITE! WRITE! WRITE!

Both technique and imaginative impulse can be found in this useful selection of poems about the literary art.

Starting with the essentials of the English language, the letters of “Our Alphabet,” the collection moves through 21 other poems of different types, meters, and rhyme schemes. This anthology has clear classroom applications, but it will also be enjoyed by individual readers who can pore carefully over playful illustrations filled with diverse children, butterflies, flowers, books, and pieces of writing. Tackling various parts of the writing process, from “How To Begin” through “Revision Is” to “Final Edit,” the poems also touch on some reasons for writing, like “Thank You Notes” and “Writing About Reading.” Some of the poems are funny, as in the quirky, four-line “If I Were an Octopus”: “I’d grab eight pencils. / All identical. / I’d fill eight notebooks. / One per tentacle.” An amusing undersea scene dominated by a smiling, orangy octopus fills this double-page spread. Some of the poems are more focused (and less lyrical) than others, such as “Final Edit” with its ending stanzas: “I check once more to guarantee / all is flawless as can be. / Careless errors will discredit / my hard work. / That’s why I edit. / But I don’t like it. / There I said it.” At least the poet tries for a little humor in those final lines.

Here’s hoping this will inspire many children to joyfully engage in writing. (Picture book/poetry. 7-10)

Pub Date: March 17, 2020

ISBN: 978-1-68437-362-8

Page Count: 32

Publisher: Wordsong/Boyds Mills

Review Posted Online: Dec. 18, 2019

Kirkus Reviews Issue: March 1, 2020

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A tour de force of interactive two-dimensional nature.

IF YOU GO DOWN TO THE WOODS TODAY

From the Brown Bear Wood series

Four seasons’ worth of poetic exploration into the bustling woods.

Piercey presents here 16 poems containing tightly rhymed quatrains inviting young readers to follow Bear out of the confines of their homes and into the forest from spring through winter. Arranged in double-page spreads, Hartas’ sumptuously action-packed forest scenes are rife with so much fauna and flora that Piercey provides legends pointing readers toward “what to spot” on each spread. Bear narrates: “My woodland’s full of animals, / of every different kind. / So shall we stay here for a while / and see what we can find?” (A bit distractingly, some words are set in a faux handwriting typeface.) Items to find include such delights as a “baby chipmunk in a hammock” or “two birds returning from their winter break”—delicately drawn with tiny suitcases in their claws. In each kid-styled Breughel-like tableau, creatures are busy doing something—building nests, getting ready for school, or celebrating Bunny’s birthday; even Bear’s off playing hide-and-seek with mice. In summer, some go for swimming lessons while others stage a play. Autumn’s chill starts to wind down the fun, as trees turn “orange, scarlet, gold, / each leaf a tongue of flame”—perfect for inspiring art class. In Hartas’ gifted hands, Piercey’s thriving woodland society celebrates all the joys of communing with the elements and one another. (This book was reviewed digitally with 12.2-by-20-inch double-page spreads viewed at 29.9% of actual size.)

A tour de force of interactive two-dimensional nature. (nature notes, further resources) (Picture book/poetry. 6-10)

Pub Date: March 16, 2021

ISBN: 978-1-4197-5158-5

Page Count: 48

Publisher: Magic Cat

Review Posted Online: Jan. 27, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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