Sometimes precious and perhaps a little too short to contain all the author’s ambitions. Still, a lively, smart study of a...

COLONEL LAGRIMAS

No one writes to the Colonel, and so the Colonel must write for himself: debut novelist Fonseca looks to the golden age of Latin American literature while pondering the mysteries of mathematics.

More to the point, Fonseca, who teaches at Cambridge, limns the mysterious life of the enigmatic mathematician Alexander Grothendieck, who, stateless, settled in the foothills of the French Pyrenees and filled thousands of pages with formulas, jottings, and diary entries. In Fonseca’s hands, this untidy, seemingly random archive becomes something of an alternative history of “an imploding century,” a time in which our erstwhile mathematician, a “monastic aristocrat” who answers to Colonel for reasons unknown, has seen manifold terrors, from the Spanish Civil War to Vietnam. The Colonel, for whom the adjectives mount in variety and number as the story progresses, nurses memories and perhaps a few hallucinations. Though the narrative centers closely on him, he is not alone: among other characters, there is an elusive refugee named Chana Abramov, whose monomania is to paint landscape after landscape of a volcano that she once populated with humans, then erased them one by one. Then there is pen pal Maximiliano Cienfuegos, who, having once played a game of chess with the Colonel, now receives packages from him for reasons unknown; “perhaps the colonel believed he heard aristocratic echoes in Maximiliano’s name,” writes Fonseca, “the irony of a name that played with a history, now almost forgotten, of impossible emperors and transatlantic projects.” Readers without groundings in Latin America will know little of that history, which, Fonseca’s novel insists, is fully part of the larger history of the world. Though the novel nods mostly to García Márquez, Fonseca plays with the possibilities of hypertext raised by Julio Cortázar, and there are hints of Bolaño and perhaps even of younger contemporary Daniel Galera (the latter in the Colonel’s diagnosis of prosopagnosia).

Sometimes precious and perhaps a little too short to contain all the author’s ambitions. Still, a lively, smart study of a decidedly offbeat character.

Pub Date: Oct. 4, 2016

ISBN: 978-1-63206-105-8

Page Count: 208

Publisher: Restless Books

Review Posted Online: July 28, 2016

Kirkus Reviews Issue: Aug. 15, 2016

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More about grief and tragedy than romance.

FRIENDS FOREVER

Five friends meet on their first day of kindergarten at the exclusive Atwood School and remain lifelong friends through tragedy and triumph.

When Gabby, Billy, Izzie, Andy and Sean meet in the toy kitchen of the kindergarten classroom on their first day of school, no one can know how strong the group’s friendship will remain. Despite their different personalities and interests, the five grow up together and become even closer as they come into their own talents and life paths. But tragedy will strike and strike again. Family troubles, abusive parents, drugs, alcohol, stress, grief and even random bad luck will put pressure on each of them individually and as a group. Known for her emotional romances, Steel makes a bit of a departure with this effort that follows a group of friends through young adulthood. But even as one tragedy after another befalls the friends, the impact of the events is blunted by a distant narrative style that lacks emotional intensity. 

More about grief and tragedy than romance.

Pub Date: July 24, 2012

ISBN: 978-0-385-34321-3

Page Count: 322

Publisher: Delacorte

Review Posted Online: Nov. 14, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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