A cheery tale in child-bright colors offers a city vs. country theme. A little boy and his mom take a taxi from their city apartment to the train and then to Nonna and Pop-Pop’s house in the country, where “the whole blue sky reaches all the way down to the flower beds.” In the country, he rides a tractor, not an elevator, and there’s no deli on the corner, but there are cows. In the city, flowers come from the corner shop, but at Nonna’s, they grow beside the kitchen door. He relates in the sweetest of language how there’s no rushing for school and work at Nonna’s, there’s always time for making pancakes. But when he gets back home to the city, he can hold the moon in his hands from his city window, just like he could at Nonna’s. Nakata’s fresh, dappled watercolors perfectly suit this story, with its apple-cheeked figures, flower-covered countryside, and lively cityscape that looks, with its yellow taxis and glimpse of the Empire State Building, just like a happy New York City. (Picture book. 3-7)
Pub Date: May 19, 2003
ISBN: 0-618-07335-3
Page Count: 40
Publisher: Clarion Books
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: May 15, 2003
Categories: CHILDREN'S FAMILY
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A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 15, 2015
Kirkus Reviews Issue: May 1, 2015
Categories: CHILDREN'S CONCEPTS | CHILDREN'S FAMILY
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SEEN & HEARD
A snappy rhyming text celebrates an extended family’s joyous gyrations to the jazz spinning on the turntable. From waking to sleep, Baby’s right in the thick of it, as siblings, grandparents and cousins move and groove: “So they BOOM-BOOM-BOOM / and they HIP-HIP-HOP / and the bouncin’ baby boogies with a BOP-BOP-BOP.” Wheeler’s verse scans beautifully and begs to be read aloud—danced to, even—making this a fine choice for preschool and kindergarten story times. Christie’s bold, double-paged gouache compositions locate this colorfully garbed, expressively hip family within an equally vibrant community. As Baby’s big dark eyes get glassy with fatigue, the party winds down. “Daddy sings blues. / Mama sings sweet. / While that snoozy-woozy baby . . . / . . . sleeps deep, deep, deep.” Exultant and infectious, from the red-and-yellow-striped endpapers to the final “OH YEAH!” (Picture book. 3-6)
Pub Date: Nov. 1, 2007
ISBN: 978-0-15-202522-9
Page Count: 40
Publisher: Harcourt
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Oct. 15, 2007
Categories: CHILDREN'S FAMILY | CHILDREN'S ENTERTAINMENT & SPORTS
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