Vaultingly ambitious, thrillingly well-written, charged with moral fervor and rueful compassion. How will this dazzling...

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THE SPORT OF KINGS

Morgan follows up her slim, keening debut (All the Living, 2009) with an epic novel steeped in American history and geography.

As a boy, Henry Forge determines to turn the land his aristocratic Kentucky family has planted with corn for generations into a farm for racehorses. Henry grows into an arrogant, hard man, imbued with the unthinking racism and sexism of his haughty father and unnaturally focused on his only child, Henrietta. Before she leaves him, wife Judith loudly voices the novel’s seething strain of bitterness about the lot of women in this world, but her anger is nothing compared to the rage of Allmon Shaughnessy, an African-American man who enters the story in the early 2000s, when Henrietta and he are both in their 20s. Backtracking to trace Allmon’s past, Morgan’s gothic tale of Southern decadence deepens into a searing investigation of racism’s enduring legacy. Allmon’s ailing, hard-pressed mother and her father, a storefront preacher and veteran civil rights activist, are notable among the teeming cast of brilliantly drawn secondary characters who populate the bleak saga of an intelligent, sensitive boy with zero prospects; by the time he’s 17, Allmon is in jail, where he discovers the knack with horses that gets him hired on the Forges’ farm. A few years go by, Henrietta and Allmon become lovers, but there’s little hope of a happy future for such damaged people. A series of five brilliant riffs called Interludes anchor this modern tale in a vast sweep of geological time and the grim particulars of Allmon’s ancestor, a runaway slave named Scipio. The consequences of the Forges’ brutality and pride come home to roost in an apocalyptic climax just after their extraordinary filly Hellsmouth runs the 2006 Kentucky Derby; it’s entirely appropriate to Morgan’s dark vision that it’s not the guiltiest who pay the highest price.

Vaultingly ambitious, thrillingly well-written, charged with moral fervor and rueful compassion. How will this dazzling writer astonish us next time?

Pub Date: May 3, 2016

ISBN: 978-0-374-28108-3

Page Count: 560

Publisher: Farrar, Straus and Giroux

Review Posted Online: Feb. 29, 2016

Kirkus Reviews Issue: March 15, 2016

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A nervy modern-day rebellion tale that isn’t afraid to get dark or find humor in the darkness.

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MY YEAR OF REST AND RELAXATION

A young New York woman figures there’s nothing wrong with existence that a fistful of prescriptions and months of napping wouldn’t fix.

Moshfegh’s prickly fourth book (Homesick for Another World, 2017, etc.) is narrated by an unnamed woman who’s decided to spend a year “hibernating.” She has a few conventional grief issues. (Her parents are both dead, and they’re much on her mind.) And if she’s not mentally ill, she’s certainly severely maladjusted socially. (She quits her job at an art gallery in obnoxious, scatological fashion.) But Moshfegh isn’t interested in grief or mental illness per se. Instead, she means to explore whether there are paths to living that don’t involve traditional (and wearying) habits of consumption, production, and relationships. To highlight that point, most of the people in the narrator's life are offbeat or provisional figures: Reva, her well-meaning but shallow former classmate; Trevor, a boyfriend who only pursues her when he’s on the rebound; and Dr. Tuttle, a wildly incompetent doctor who freely gives random pill samples and presses one drug, Infermiterol, that produces three-day blackouts. None of which is the stuff of comedy. But Moshfegh has a keen sense of everyday absurdities, a deadpan delivery, and such a well-honed sense of irony that the narrator’s predicament never feels tragic; this may be the finest existential novel not written by a French author. (Recovering from one blackout, the narrator thinks, “What had I done? Spent a spa day then gone out clubbing?...Had Reva convinced me to go ‘enjoy myself’ or something just as idiotic?”) Checking out of society the way the narrator does isn’t advisable, but there’s still a peculiar kind of uplift to the story in how it urges second-guessing the nature of our attachments while revealing how hard it is to break them.

A nervy modern-day rebellion tale that isn’t afraid to get dark or find humor in the darkness.

Pub Date: July 10, 2018

ISBN: 978-0-525-52211-9

Page Count: 304

Publisher: Penguin Press

Review Posted Online: April 16, 2018

Kirkus Reviews Issue: May 1, 2018

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A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules...

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A GENTLEMAN IN MOSCOW

Sentenced to house arrest in Moscow's Metropol Hotel by a Bolshevik tribunal for writing a poem deemed to encourage revolt, Count Alexander Rostov nonetheless lives the fullest of lives, discovering the depths of his humanity.

Inside the elegant Metropol, located near the Kremlin and the Bolshoi, the Count slowly adjusts to circumstances as a "Former Person." He makes do with the attic room, to which he is banished after residing for years in a posh third-floor suite. A man of refined taste in wine, food, and literature, he strives to maintain a daily routine, exploring the nooks and crannies of the hotel, bonding with staff, accepting the advances of attractive women, and forming what proves to be a deeply meaningful relationship with a spirited young girl, Nina. "We are bound to find comfort from the notion that it takes generations for a way of life to fade," says the companionable narrator. For the Count, that way of life ultimately becomes less about aristocratic airs and privilege than generosity and devotion. Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom, and philosophic insight. Though Stalin and Khrushchev make their presences felt, Towles largely treats politics as a dark, distant shadow. The chill of the political events occurring outside the Metropol is certainly felt, but for the Count and his friends, the passage of time is "like the turn of a kaleidoscope." Not for nothing is Casablanca his favorite film. This is a book in which the cruelties of the age can't begin to erase the glories of real human connection and the memories it leaves behind.

A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules of Civility (2011).

Pub Date: Sept. 6, 2016

ISBN: 978-0-670-02619-7

Page Count: 480

Publisher: Viking

Review Posted Online: June 21, 2016

Kirkus Reviews Issue: July 1, 2016

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