In spite of its predictability, likely to find an appreciative audience among young teens.

SQUINT

Thirteen-year-old Flint, aka “Squint,” is determined to finish his comic book in time to enter it in a contest—and before he loses so much more of his eyesight that he can no longer see to draw.

Squint has a degenerative corneal disease that has left him with thick glasses that do little to correct his vision but make him a magnet for bullying by popular kids. When popular McKell reaches out to him, his first reaction is to protect himself by rejecting her. But then he discovers that she’s dealing with plenty herself; her older brother, Danny, has progeria, a rare disease that’s killing him. Danny has a popular YouTube channel in which he suggests challenges or activities designed to bring people together. After his death, the videos keep coming, serving, poignantly, to draw McKell and Squint closer as he gradually emerges from his self-imposed isolation. Squint’s comic-book tale accompanies and parallels his first-person narration, crafting a fantasy world where Squint can be the superhero of his dreams. But it’s the drawing of the comics that presents the greatest challenge to him with his poor vision. The book assumes a white default, with Squint assumed white and biracial McKell half-Filipina and presumably half-white. That Squint’s drawings are not included seems like a major missed opportunity to broaden this sometimes-maudlin tale of loss and redemption.

In spite of its predictability, likely to find an appreciative audience among young teens. (Fiction. 11-14)

Pub Date: Oct. 2, 2018

ISBN: 978-1-62972-485-0

Page Count: 256

Publisher: Shadow Mountain

Review Posted Online: July 24, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 13, 2013

Kirkus Reviews Issue: April 15, 2013

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Series fans may enjoy this patched-together prelude.

RISE OF THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series

Twin wizards duel, fret, switch roles, and fall for the same guy in this prequel to the popular series.

Continuing on the theme that it isn’t as easy to distinguish good from evil as it might seem, Chainani goes back to a time when the titular school was run by a pair of immortal adolescents. School Masters Rhian and Rafal have been told that loving one another is the only way to maintain the balance between Good and Evil at the school, but a long run of folk and fairy tales written out by the mysterious pen called the Storian—in which Good triumphs—has led to a fraternal rift. The assignment of decided scapegrace Aladdin to, astonishingly, the School for Good widens the antagonism (could the Storian have made a mistake?). But though Aladdin is the main point-of-view character for major stretches in the early going, no sooner does he hook up with dazzling schoolmate Princess Kyma than the author shoves him deep into the supporting cast to make room for a jealousy-fueled break and some bad behavior that comes when first Rafal then Rhian lock gazes and lips with pirate trainee James Hook (latest of a long line of villains defeated by a certain other ageless teen). Most of the cast reads as White. Lush but rare illustrations underscore dramatic incidents.

Series fans may enjoy this patched-together prelude. (Fantasy. 11-14)

Pub Date: May 31, 2022

ISBN: 978-0-06-316152-8

Page Count: 368

Publisher: Harper/HarperCollins

Review Posted Online: March 29, 2022

Kirkus Reviews Issue: April 15, 2022

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