A classic plot plus Lauren's trademark snark and steam add up to a winning rom-com full of heart and holiday cheer.

IN A HOLIDAZE

A Christmas wish leads to a Christmas nightmare when one woman gets stuck reliving the holiday season, Groundhog Day style.

Things aren’t going as planned for Maelyn Jones. At the age of 26, she’s living with her mom and stepdad, she’s stuck in a dead-end job, and, perhaps most important, she just had an eggnog-filled holiday hookup with Theo Hollis, her family friend and the brother of her unrequited lifelong crush, Andrew Hollis. Maelyn’s spent years waiting for Andrew to notice her as more than a friend, but now she knows she’s screwed things up for good by kissing his brother. The only thing that’s going perfectly in her life is the lovely Park City cabin where her family, Theo and Andrew’s family, and her parents’ other college friends get together every Christmas. But then, on the last day of their vacation, Theo and Andrew’s parents announce that they’re selling the cabin. On the drive to the airport, Maelyn miserably wishes that she could find out what would make her happy…and suddenly, she’s back on the plane to the cabin, pre-Christmas, about to live the whole week over again. With another (and another and another) chance to make things right, will she be able to finally tell Andrew how she feels and discover real happiness? Lauren—the author team behind The Honey-Don’t List (2020) and countless other romantic comedies—is as reliable as ever with this cheery holiday outing. Down-on-her-luck Maelyn is a likable protagonist, and it’s easy to relate to her desire to fix her life (even if most readers don’t have the benefit of time travel). Her conversations with Andrew are adorably banter-filled, and her relationship with her parents’ friend Benny, an aging, wacky stoner, is sweetly charming.

A classic plot plus Lauren's trademark snark and steam add up to a winning rom-com full of heart and holiday cheer.

Pub Date: Oct. 6, 2020

ISBN: 978-1-982123-94-9

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: July 29, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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Murder most foul and mayhem most entertaining. Another worthy page-turner from a protean master.

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BILLY SUMMERS

The ever prolific King moves from his trademark horror into the realm of the hard-boiled noir thriller.

“He’s not a normal person. He’s a hired assassin, and if he doesn’t think like who and what he is, he’ll never get clear.” So writes King of his title character, whom the Las Vegas mob has brought in to rub out another hired gun who’s been caught and is likely to talk. Billy, who goes by several names, is a complex man, a Marine veteran of the Iraq War who’s seen friends blown to pieces; he’s perhaps numbed by PTSD, but he’s goal-oriented. He’s also a reader—Zola’s novel Thérèse Raquin figures as a MacGuffin—which sets his employer’s wheels spinning: If a reader, then why not have him pretend he’s a writer while he’s waiting for the perfect moment to make his hit? It wouldn’t be the first writer, real or imagined, King has pressed into service, and if Billy is no Jack Torrance, there’s a lovely, subtle hint of the Overlook Hotel and its spectral occupants at the end of the yarn. It’s no spoiler to say that whereas Billy carries out the hit with grim precision, things go squirrelly, complicated by his rescue of a young woman—Alice—after she’s been roofied and raped. Billy’s revenge on her behalf is less than sweet. As a memoir grows in his laptop, Billy becomes more confident as a writer: “He doesn’t know what anyone else might think, but Billy thinks it’s good,” King writes of one day’s output. “And good that it’s awful, because awful is sometimes the truth. He guesses he really is a writer now, because that’s a writer’s thought.” Billy’s art becomes life as Alice begins to take an increasingly important part in it, crisscrossing the country with him to carry out a final hit on an errant bad guy: “He flopped back on the sofa, kicked once, and fell on the floor. His days of raping children and murdering sons and God knew what else were over.” That story within a story has a nice twist, and Billy’s battered copy of Zola’s book plays a part, too.

Murder most foul and mayhem most entertaining. Another worthy page-turner from a protean master.

Pub Date: Aug. 3, 2021

ISBN: 978-1-982173-61-6

Page Count: 528

Publisher: Scribner

Review Posted Online: June 2, 2021

Kirkus Reviews Issue: June 15, 2021

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