Adults who fondly remember “Who Has Seen the Wind?” will be delighted to introduce a new generation to some of Rossetti’s child-friendly poems.
Bryan brings fresh life to thirteen of the 19th-century British poet’s least dreary and most accessible poems. Vibrant blossoms on the inside covers hint at the fun inside. This is a celebration of nature and language crafted from cut construction paper. Bryan expands Rossetti’s metaphoric images with unconventional color choices that stretch the imagination. For example, the dog in “Pussy Has a Whiskered Face” is tan, pink, gray, and white, while kitty is all the colors of fire: orange, yellow, brown, and red. Human faces are not limited to shades of brown, black, or tan either. The detailed collages add layers of meaning to each short verse. The eight small collages that illustrate “Color” (at just 16 lines, the longest poem) clearly reference each couplet. Regardless of length, each poem is allotted a double spread. Less-familiar poems include “Mother Shake the Cherry Tree,” “Peacock Has a Score of Eyes,” and “Lie-a-Bed.” Carefully placed text guides readers’ eyes, and contrasting type colors help both titles and text stand out against the bright backgrounds.
From the peacock on the front cover to the daffodil on the back, this visual treat will inspire budding artists and poets. (biographical note) (Picture book/poetry. 5-8)Pub Date: April 16, 2019
ISBN: 978-1-5344-4092-0
Page Count: 40
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Feb. 13, 2019
Kirkus Reviews Issue: March 1, 2019
Categories: CHILDREN'S POETRY | CHILDREN'S SOCIAL THEMES
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Large color photographs (occasionally composed of montages) and accessible, simple text highlight global similarities and differences, always focusing on our universal connections.
While child readers may not recognize Manzano, the Puerto Rican actress who played Maria on Sesame Street, adults will recognize her as a trusted diverse voice. In her endnote, she explains her desire to “encourage lively conversations about shared experiences.” Starting out with the familiar, home and community, the text begins with “How many WONDERFUL PEOPLE do you know?” Then it moves out to the world: “Did you know there are about 8 BILLION PEOPLE on the planet?” The photo essay features the usual concrete similarities and differences found in many books of this type, such as housing (a Mongolian yurt opposite a Hong Kong apartment building overlooking a basketball court), food (dumplings, pizza, cotton candy, a churro, etc.), and school. Manzano also makes sure to point out likenesses in emotions, as shown in a montage of photos from countries including China, Spain, Kashmir (Pakistan/India), and the United States. At the end, a world map and thumbnail images show the locations of all photos, revealing a preponderance of examples from the U.S. and a slight underrepresentation for Africa and South America.
Engaging, well-chosen images and a clear, coherent text illuminate the importance of empathy for the world’s inhabitants. (Informational picture book. 5-8)Pub Date: Sept. 15, 2020
ISBN: 978-1-4263-3738-3
Page Count: 32
Publisher: National Geographic Kids
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
Categories: CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES
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Charismatic robots populate this primer for kids growing up in an era when facts are considered debatable and opinions are oft expressed loudly and without empathy.
Rex tackles a very serious topic infrequently addressed in kids’ books: how to tell the difference between provable facts and far-less-provable opinions. To do this, Rex employs a handful of colorful and chatty robot pals who run through enough examples to make the distinctions clear. For instance, it’s a fact that the blue robot has two arms while the gold robot has four. However, while they both like to dance, it’s less certain there’s a definitive answer to the question: “Which of them has the coolest moves?” When the green and yellow robots share their preferences for ice cream (yes, robots eat ice cream, just add oil or nuts and bolts), it turns into a fight that might have come off a Twitter thread (“We are getting chocolate!” “No way, buckethead!”). Via a series of reboots, the robots learn how to respect opinions and engage in compromise. It’s a welcome use of skill-building to counter an information landscape filled with calls of “Fake news!” and toxic online discourse. Rex never says that these ’bots sometimes act like social media bots when they disagree, but he doesn’t have to. Perhaps most importantly, Rex’s robots demonstrate that in the absence of enough information, it’s perfectly fine to wait before acting.
Vital information for young media consumers; it couldn’t be timelier. (Picture book. 5-8)Pub Date: Feb. 11, 2020
ISBN: 978-1-9848-1626-9
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: Oct. 23, 2019
Kirkus Reviews Issue: Nov. 15, 2019
Categories: CHILDREN'S SOCIAL THEMES
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