No triumphs of modern psychiatry on display here, but rather a sympathetic portrait of seriously ill patients that could...

FALLING INTO THE FIRE

A PSYCHIATRIST'S ENCOUNTERS WITH THE MIND IN CRISIS

In her residency and now as a professor (Psychiatry and Human Behavior/Warren Alpert Medical School, Brown Univ.) and a hospital inpatient psychiatrist, Montross (Body of Work: Meditations on Mortality from the Human Anatomy Lab, 2007) describes her encounters with patients in crisis, first admitted to emergency rooms and then referred for hospital stays.

The cases are bizarre: a woman repeatedly admitted for swallowing objects—light bulbs, pens, nails; a man who keeps tearing at his skin and hair, spending thousands on treatments to correct his “ugliness”; a woman so able to feign an epileptic seizure that staff feared she might die from status epilepticus; a mother terrified she would kill her infant, so she “hid all the knives.” Montross writes of these encounters with a dramatic flair, ever empathetic but unsparing of occasional negative feelings, fears and frustrations. Diagnosis is not always easy. Even when a patient’s back story reveals plausible causes of illness, there is little therapy can do if the patient is unwilling, given the limitations of insurance and the need to discharge patients once “stabilized.” Oddly, patients afflicted with extreme forms of body dissatisfaction—who want a limb amputated, for example—are “cured” if the surgery takes place. In the absence of cures, Montross offers solace—just being there with a patient. She provides background and current thinking on the particular cases she describes, discusses the legal issues of involuntary treatment and inveighs against academics who see mental illness as one side of creative genius. As an antidote to her daily coping with extreme behaviors, Montross writes serenely of a home life with her family.

No triumphs of modern psychiatry on display here, but rather a sympathetic portrait of seriously ill patients that could guide future practitioners on the art of helping, if not always healing, the sick.

Pub Date: Aug. 5, 2013

ISBN: 978-1-59420-393-0

Page Count: 256

Publisher: Penguin Press

Review Posted Online: April 8, 2013

Kirkus Reviews Issue: May 1, 2013

Did you like this book?

No Comments Yet

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

Did you like this book?

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Did you like this book?

more