This quirky, complex, and frustrating heroine will win hearts and challenge assumptions about family dysfunction and mental...

WITHOUT MERIT

With the help of unusual houseguests, a teenage girl who tries to rebel by airing her family’s dirty laundry cleans up her act instead.

To Merit Voss, the white picket fence around her house is the only thing normal about the family it contains. She lives in a converted church with her father, stepmother, and siblings, and although her parents have been divorced for years, her mother still lives in the basement, struggling with social anxiety. No one in her family is religious, so her brother Utah updates the church marquee every day with fun facts instead of Bible verses. Merit is less accomplished than her identical twin sister, Honor, so she likes to buy used trophies to celebrate her failures. But Honor seems to have a fetish for terminally ill boys, so it’s a surprise to Merit when Sagan, who is perfectly healthy, kisses Merit after mistaking her for her sister—and then reveals that he’s living in their house. Soon they have another houseguest, Luck, whose connection to the family makes Merit even more convinced she’s living in a madhouse. So why is everyone so angry at her? Merit has a love/hate relationship with her sister. She's conflicted by her feelings for Sagan, who leaves intriguing sketches (illustrated by Adams) around the house for her to decipher. She’s simultaneously intrigued and repulsed by Luck, who annoys her with his questions but is also her confidant. She can’t sit through dinner without starting a fight; she’s been skipping school for days; and when she decides to give her whole family the silent treatment, Sagan is the only one who notices. In fact, he and Luck are the only people in the house who recognize Merit’s quirks for what they really are—cries for help. And when Merit takes drastic measures to be heard, the fallout is both worse and much better than she feared. Hoover (It Ends With Us, 2016, etc.) does an excellent job of revealing the subtle differences between healthy teenage rebellion and clinical depression, and Merit’s aha moment is worthy of every trophy in her collection.

This quirky, complex, and frustrating heroine will win hearts and challenge assumptions about family dysfunction and mental illness in a life-affirming story that redefines what’s normal.

Pub Date: Oct. 3, 2017

ISBN: 978-1-5011-7062-1

Page Count: 384

Publisher: Atria

Review Posted Online: Aug. 6, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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A deeply satisfying novel, both sensuously vivid and remarkably poignant.

THE UNSEEN

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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