A high-spirited yet surface-level glimpse into the life of one of the planet’s last rock stars.

THE STORYTELLER

TALES OF LIFE AND MUSIC

The Nirvana drummer and Foo Fighters frontman shares anecdotes from his (mostly) charmed life in rock ’n’ roll.

Grohl’s memoir is thick with name-drops, but not for the sake of gossip or even revelatory detail. (Fans likely won’t learn anything about Kurt Cobain they didn’t already know, except perhaps his choice for cheap sustenance in the band’s pre-fame days, a canned-tuna-on-toast concoction dubbed “shit on a shingle.”) Rather, Grohl’s name-drops are of the “can you believe I get to do this for a living” variety: backing Tom Petty and Iggy Pop, meeting musical heroes from Little Richard to Joan Jett, singing “Blackbird” at the Oscars, performing at the White House, and filling arenas all over the world. As the book’s entertaining early pages reveal, Grohl was an unlikely candidate for global stardom. An accident-prone kid and unschooled drummer raised in a middle-class suburb of Washington, D.C., he caught the punk bug at a Naked Raygun show in Chicago, later dropping out of high school to join Scream. Though Scream was only moderately popular, Grohl thought he'd reached the mountaintop, so Nirvana’s massive fame, followed by Cobain’s suicide, was seriously disorienting. Still, the author is upbeat even when talking about lean or tense moments, like when his body finally pushed back against his five-pot-a-day coffee habit. Grohl is good company, but the gee-whiz tone as well as the clichés (hanging out with the members of metal band Pantera is “not for the faint of heart”) make the book feel like a missed opportunity. Grohl survived a massive band’s collapse and leads another hugely successful act in a genre that’s no longer dominant. Rather than exploring that, he’s largely content to celebrate his good fortune. Perhaps when he finally hangs it up, he will dig more deeply into his unique career.

A high-spirited yet surface-level glimpse into the life of one of the planet’s last rock stars.

Pub Date: Oct. 5, 2021

ISBN: 978-0-06-307609-9

Page Count: 384

Publisher: Dey Street/HarperCollins

Review Posted Online: Aug. 17, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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For Patterson fans who can’t get enough.

THE DEFENSE LAWYER

THE BARRY SLOTNICK STORY

The Patterson publishing machine clanks its way into the nonfiction aisles in this lumbering courtroom drama.

Barry Slotnick made a considerable fortune and reputation as a defense attorney who had a long list of controversial clients, including mob boss John Gotti and Panamanian strongman Manuel Noriega. An “urbane lawyer known for his twenty-five-hundred-dollar Fioravanti suits, he was not unacquainted with violence,” write Patterson and Wallace. One of his early cases, indeed, involved a group of Jewish Defense League members who allegedly blew up a Broadway producer’s office, killing a woman who worked there. Slotnick’s defense was a standard confuse-the-jury ploy, but it worked. He put similar tactics to work in his defense of Bernhard Goetz, the “subway shooter” whose trial made international news. The authors open after that trial had concluded in yet another Slotnick win, and with a sensational incident: He was attacked by a masked man who beat him with a baseball bat. The evidence is sketchy, but it seems to place the attack in the hands of organized crime—perhaps even Gotti himself. No matter: Slotnick, “who saw himself as the foe of the all-powerful government” and “liberty’s last champion,” was soon back to representing clients including Radovan Karadžić, the murderous Bosnian Serb who was eventually imprisoned for having committed genocide; Dewi Sukarno, the widow of Indonesia’s similarly bloodstained president, “arrested for slashing the face of a fellow socialite with a broken champagne glass at a party in Aspen”; and Melania Trump, who had chosen Slotnick “to handle her prenup.” In the hands of a John Grisham, the story might have come to life, but while Patterson does a serviceable if cliché-ridden job of recounting Slotnick’s career, he fails to give readers much reason to admire the man.

For Patterson fans who can’t get enough.

Pub Date: Dec. 20, 2021

ISBN: 978-0-316-49437-3

Page Count: 416

Publisher: Little, Brown

Review Posted Online: Oct. 13, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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