A truly rounded, fully fleshed portrait of a significant 20th-century figure.

JIM BROWN

LAST MAN STANDING

One of the greatest—and most controversial—athletes of all time gets a well-balanced biographical and historical treatment.

Jim Brown (b. 1936) is arguably the best football player in the history of the sport, a truly larger-than-life figure who may have also been the best lacrosse player ever. “From the moment he stepped onto a playing field,” writes Nation sports editor Zirin (Brazil's Dance with the Devil: The World Cup, the Olympics, and the Fight for Democracy, 2014, etc.), “the operative emotion expressed in describing Jim Brown has been reverence.” Few would argue, but as always in Zirin’s books, the playing field is only one element of the narrative equation. The author ticks all the biographical boxes—multisport star in both high school and college; tumultuous career at Syracuse, where he truly began to understand the scourge of racism; Hall of Fame career with the Cleveland Browns; up-and-down forays into Hollywood; lifelong activism—but what is most refreshing about this book is Zirin’s focus on Brown’s character, both awe-inspiring and highly flawed. Brown has spent his life fighting racism and advocating for economic and social justice for the black community, but he has also been accused of rampant misogyny and instances of violence against women. He has brought together rival gang members in his own home but also managed to shut out some of those closest to him due to stubbornness to remain on top in a “world of competing male egos and unfettered ids.” As Zirin notes, for Brown, maintaining his manhood—however he conceives of it—has been the most important driving factor of his life. Brown simply refuses to be “soft” in any way, and he is not shy about criticizing the current athletes who, writes the author, “have fumbled the baton passed to them and surrendered an awesome opportunity to affect seismic social change.” Zirin, who spent considerable time with Brown, deftly navigates this rocky terrain, providing ample room for Brown to tell his own story and for others to weigh in as well.

A truly rounded, fully fleshed portrait of a significant 20th-century figure.

Pub Date: June 12, 2018

ISBN: 978-0-399-17344-8

Page Count: 336

Publisher: Blue Rider Press

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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