Who’s out at night, and what do they do? These poems answer that for you.
“Shhhh, listen… / Hear that howling? / Dogs don’t howl, / not like that.” It’s coyotes that are on the hunt, and everyone from mouse to deer better be on the lookout. Harrison’s night is broadly populated. Some mark their territory or hide from large predators. A mother skunk teaches her children not to venture into the road. Fireflies flash looking for mates in the grass, a little as though the insects are texting one another. Meanwhile: “Along a path of slime / you softly flow, / scraping holes in petals / as you go”; the leopard slug eats hollyhocks and daffodils, all the while leaving a slimy trail as proof it was there in the night. The Mexican free-tail bat is on bug patrol. Twenty-one animals who live by the light of the moon get profiled in Harrison’s poems, written in a variety of forms, some rhymed and most not. Each is featured in a one- or two-page spread with realistic, appropriately dark, attractive illustrations by Laberis. Though none are anthropomorphized, they still have plenty of personality. A kit fox yawns luxuriantly; a flathead catfish opens its huge mouth to suck in a hapless frog. Two pages of backmatter reveal four further facts about each profiled animal.
A fine collection of poetical odes to a nicely diverse group of nighttime fauna. (Picture book/poetry. 7-12)Pub Date: Feb. 25, 2020
ISBN: 978-1-62979-717-5
Page Count: 32
Publisher: Wordsong/Boyds Mills
Review Posted Online: Dec. 18, 2019
Kirkus Reviews Issue: March 1, 2020
Categories: CHILDREN'S ANIMALS | CHILDREN'S POETRY | CHILDREN'S SCIENCE & TECHNOLOGY
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Both technique and imaginative impulse can be found in this useful selection of poems about the literary art.
Starting with the essentials of the English language, the letters of “Our Alphabet,” the collection moves through 21 other poems of different types, meters, and rhyme schemes. This anthology has clear classroom applications, but it will also be enjoyed by individual readers who can pore carefully over playful illustrations filled with diverse children, butterflies, flowers, books, and pieces of writing. Tackling various parts of the writing process, from “How To Begin” through “Revision Is” to “Final Edit,” the poems also touch on some reasons for writing, like “Thank You Notes” and “Writing About Reading.” Some of the poems are funny, as in the quirky, four-line “If I Were an Octopus”: “I’d grab eight pencils. / All identical. / I’d fill eight notebooks. / One per tentacle.” An amusing undersea scene dominated by a smiling, orangy octopus fills this double-page spread. Some of the poems are more focused (and less lyrical) than others, such as “Final Edit” with its ending stanzas: “I check once more to guarantee / all is flawless as can be. / Careless errors will discredit / my hard work. / That’s why I edit. / But I don’t like it. / There I said it.” At least the poet tries for a little humor in those final lines.
Here’s hoping this will inspire many children to joyfully engage in writing. (Picture book/poetry. 7-10)Pub Date: March 17, 2020
ISBN: 978-1-68437-362-8
Page Count: 32
Publisher: Wordsong/Boyds Mills
Review Posted Online: Dec. 18, 2019
Kirkus Reviews Issue: March 1, 2020
Categories: CHILDREN'S POETRY
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In the wake of Everything Awesome About Dinosaurs and Other Prehistoric Beasts! (2019), Lowery spins out likewise frothy arrays of facts and observations about sharks, whales, giant squid, and smaller but no less extreme (or at least extremely interesting) sea life.
He provides plenty of value-added features, from overviews of oceanic zones and environments to jokes, drawing instructions, and portrait galleries suitable for copying or review. While not one to pass up any opportunity to, for instance, characterize ambergris as “whale vomit perfume” or the clownfish’s protective coating as “snot armor,” he also systematically introduces members of each of the eight orders of sharks, devotes most of a page to the shark’s electroreceptive ampullae of Lorenzini, and even sheds light on the unobvious differences between jellyfish and the Portuguese man-of-war or the reason why the blue octopus is said to have “arms” rather than “tentacles.” He also argues persuasively that sharks have gotten a bad rap (claiming that more people are killed each year by…vending machines) and closes with pleas to be concerned about plastic waste, to get involved in conservation efforts, and (cannily) to get out and explore our planet because (quoting Jacques-Yves Cousteau) “People protect what they love.” Human figures, some with brown skin, pop up occasionally to comment in the saturated color illustrations. (This book was reviewed digitally with 10-by-17-inch double-page spreads viewed at 45% of actual size.)
An immersive dunk into a vast subject—and on course for shorter attention spans. (bibliography, list of organizations) (Nonfiction. 7-10)Pub Date: Oct. 6, 2020
ISBN: 978-1-338-35973-2
Page Count: 128
Publisher: Orchard/Scholastic
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
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