RAPUNZEL

A HAPPENIN' RAP

The team behind Yo, Hungry Wolf! (1993) brings forth a rap retelling of Rapunzel. All the characters are dogs in this blithe version, but that's not the only change. Rapunzel's father dumps his marshmallow ice cream all over the witch until she looks like ``a humongous s'more.'' She takes his baby, who grows into the most whiny and demanding of teens, a long-nosed pup with a cascade of golden tresses. Fine Prince, a dog with attitude and a green mohawk, spies Rap from her highrise window, but is at first put off both by Rap's self-involvement and the presence of the witch. He gets to her room by the traditional route. The witch literally explodes, and all is well as Rap opens her own beauty salon, bears Fine Prince twins, and sports a crew cut. The rhyme is bouncy with a solid beat; Lewin's expressive black lines and wild doggy outfits are a good match for the words. (Picture book. 4-8)

Pub Date: March 1, 1998

ISBN: 0-385-32314-X

Page Count: 32

Publisher: Doubleday

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 1997

Did you like this book?

No Comments Yet

TO MARKET, TO MARKET

A marketing trip from Miranda (Glad Monster, Sad Monster, p. 1309) that jiggity jigs off in time-honored nursery-rhyme fashion, but almost immediately derails into well-charted chaos. The foodstuffs—the fat pig, the red hen, the plump goose, the pea pods, peppers, garlic, and spice—are wholly reasonable in light of the author's mention of shopping at traditional Spanish mercados, which stock live animals and vegetables. Stevens transfers the action to a standard American supermarket and a standard American kitchen, bringing hilarity to scenes that combine acrylics, oil pastels, and colored pencil with photo and fabric collage elements. The result is increasing frazzlement for the shopper, an older woman wearing spectacles, hat, and purple pumps (one of which is consumed by her groceries). It's back to market one last time for ingredients for the hot vegetable soup she prepares for the whole bunch. True, her kitchen's trashed and she probably won't find a welcome mat at her supermarket hereafter, but all's well that ends well—at least while the soup's on. (Picture book. 4-8)

Pub Date: Oct. 1, 1997

ISBN: 0-15-200035-6

Page Count: 36

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 15, 1997

Did you like this book?

No Comments Yet

Visually accomplished but marred by stereotypical cultural depictions.

HOME

Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)

Pub Date: Feb. 24, 2015

ISBN: 978-0-7636-6529-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 18, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Did you like this book?

No Comments Yet
more