DeLillo turns a TV-movie disaster scenario into a new Book of Revelations in these pages: a very disturbing, very impressive...

WHITE NOISE

DeLillo, whose recent taste for fashionable conspiracy and political/philosophical statement has detracted from his eloquent gifts, is back in top form here: sections of this new novel harken back to his best, early, most generous work—and also extend themselves further into regions of dark domestic poetry and fearful pity.

The family of Jack Gladney, an insecure academic chairing the Department of Hitler Studies at a small college, is made up of the progeny of both Jack's and wife Babette's previous marriages. In this step-family, then, Jack is happy: "Heat, noise, lights, looks, words, gestures, personalities, appliances. A colloquial density that makes family life the one medium of sense knowledge in which astonishment of heart is routinely contained." True, Jack's professional life is kitschy, in a college that also has a whole department of "American environments"—staffed by fast-talking exiles from New York City, focusing on Elvis, car crashes, UFOs, and generic foods. But his private life with Babette is blissful—clouded only by their mutual fear of it ending: who'll be the first to die, to interrupt the happiness? Then, however, about halfway through the book, there's a catastrophe, an "airborne toxic event," a chemical spill that necessitates evacuation of the college town; during the exodus Jack is momentarily exposed to the noxious air when he gets out to re-fuel the family car, an exposure which will later doom him to a premature death. And though the chemical cloud disperses, the now-strengthened fear of death—the title's "white noise"—continues to paralyze Jack and Babette both: she goes so far as to submit to sexual blackmail, to guinea-pig herself in experiments for an anti-death-anxiety drug called Dylar; Jack takes jealous revenge upon the mad scientist pushing the pills. . . while yearning desperately for the pills at the same time. True, the novel goes wrong here—opting for flashy paranoia and sci-fi, relinquishing the naturalness of the family scenes, the evocation of loneliness before death, the apocalyptic clarities of the evacuation after the spill. In the main, though, DeLillo's most human instincts prevail in this book, resulting in a wealth of lyrical, touching, and terrifying scenes: the family eating fried chicken together in their car; a visit by Babette's broken-down father; and, most indelibly, the descriptions of the "black billowing cloud, the airborne toxic event, lighted by the clear beams of seven army helicopters. They were tracking its windborne movement, keeping it in view"—to the awe of those below in cars and on foot.

DeLillo turns a TV-movie disaster scenario into a new Book of Revelations in these pages: a very disturbing, very impressive achievement.

Pub Date: Jan. 1, 1984

ISBN: 0140077022

Page Count: 288

Publisher: Viking

Review Posted Online: Sept. 22, 2011

Kirkus Reviews Issue: Jan. 1, 1984

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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A clever and current book about a complicated woman and her romantic relationships.

CONVERSATIONS WITH FRIENDS

The story of the entangled affairs of a group of exceedingly smart and self-possessed creative types.

Frances, an aloof and intelligent 21-year-old living in Dublin, is an aspiring poet and communist. She performs her spoken-word pieces with her best friend and ex-lover, Bobbi, who is equally intellectual but gregarious where Frances is shy and composed where Frances is awkward. When Melissa, a notable writer and photographer, approaches the pair to offer to do a profile of them, they accept excitedly. While Bobbi is taken with Melissa, Frances becomes infatuated by her life—her success, her beautiful home, her actor husband, Nick. Nick is handsome and mysterious and, it turns out, returns Frances’ attraction. Although he can sometimes be withholding of his affection (he struggles with depression), they begin a passionate affair. Frances and Nick’s relationship makes difficult the already tense (for its intensity) relationship between Frances and Bobbi. In the midst of this complicated dynamic, Frances is also managing endometriosis and neglectful parents—an abusive, alcoholic father and complicit mother. As a narrator, Frances describes all these complex fragments in an ethereal and thoughtful but self-loathing way. Rooney captures the mood and voice of contemporary women and their interpersonal connections and concerns without being remotely predictable. In her debut novel, she deftly illustrates psychology’s first lesson: that everyone is doomed to repeat their patterns.

A clever and current book about a complicated woman and her romantic relationships.

Pub Date: July 11, 2017

ISBN: 978-0-451-49905-9

Page Count: 304

Publisher: Hogarth

Review Posted Online: April 18, 2017

Kirkus Reviews Issue: May 1, 2017

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