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THE DISREPUTABLE HISTORY OF FRANKIE LANDAU-BANKS

This cerebral and offbeat comedy of manners will appeal to fans of John Green’s An Abundance of Katherines (2006). Spunky boarding-school sophomore Frances “Frankie” Landau-Banks is tired of being underestimated by the men in her life, including her upperclassman boyfriend Matthew and his wittier-than-thou friends. Inspired by P.G. Wodehouse’s Code of the Woosters, she infiltrates Matthew’s secret and exclusive male club—The Loyal Order of the Basset Hounds—and, unbeknownst to them, begins orchestrating their elaborate pranks. She hopes the boys will be awed by her ingenuity and finally acknowledge her brains as well as her recently developed body. But Matthew & Co. are less than pleased to discover Frankie’s deception, and she learns the hard way that “it’s better to be alone . . . than to be with someone who can’t see who you are.” Lockhart has transcended the chick-lit genre with this adroit, insightful examination of the eternal adolescent push-pull between meekly fitting in and being liked or speaking out and risking disdain. A funny feminist manifesto that will delight the anti–Gossip Girl gang. (Fiction. YA)

Pub Date: March 25, 2008

ISBN: 978-0-7868-3818-9

Page Count: 352

Publisher: Hyperion

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2008

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Small but mighty necessary reading.

THE NEW QUEER CONSCIENCE

From the Pocket Change Collective series

A miniature manifesto for radical queer acceptance that weaves together the personal and political.

Eli, a cis gay white Jewish man, uses his own identities and experiences to frame and acknowledge his perspective. In the prologue, Eli compares the global Jewish community to the global queer community, noting, “We don’t always get it right, but the importance of showing up for other Jews has been carved into the DNA of what it means to be Jewish. It is my dream that queer people develop the same ideology—what I like to call a Global Queer Conscience.” He details his own isolating experiences as a queer adolescent in an Orthodox Jewish community and reflects on how he and so many others would have benefitted from a robust and supportive queer community. The rest of the book outlines 10 principles based on the belief that an expectation of mutual care and concern across various other dimensions of identity can be integrated into queer community values. Eli’s prose is clear, straightforward, and powerful. While he makes some choices that may be divisive—for example, using the initialism LGBTQIAA+ which includes “ally”—he always makes clear those are his personal choices and that the language is ever evolving.

Small but mighty necessary reading. (resources) (Nonfiction. 14-18)

Pub Date: June 2, 2020

ISBN: 978-0-593-09368-9

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 29, 2020

Kirkus Reviews Issue: April 15, 2020

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Many teen novels touch on similar themes, but few do it so memorably.

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ALL THE BRIGHT PLACES

Two struggling teens develop an unlikely relationship in a moving exploration of grief, suicide and young love.

Violet, a writer and member of the popular crowd, has withdrawn from her friends and from school activities since her sister died in a car accident nine months earlier. Finch, known to his classmates as "Theodore Freak," is famously impulsive and eccentric. Following their meeting in the school bell tower, Finch makes it his mission to re-engage Violet with the world, partially through a school project that sends them to offbeat Indiana landmarks and partially through simple persistence. (Violet and Finch live, fortunately for all involved, in the sort of romantic universe where his throwing rocks at her window in the middle of the night comes off more charming than stalker-esque.) The teens alternate narration chapter by chapter, each in a unique and well-realized voice. Finch's self-destructive streak and suicidal impulses are never far from the surface, and the chapters he narrates are interspersed with facts about suicide methods and quotations from Virginia Woolf and poet Cesare Pavese. When the story inevitably turns tragic, a cast of carefully drawn side characters brings to life both the pain of loss and the possibility of moving forward, though some notes of hope are more believable than others.

Many teen novels touch on similar themes, but few do it so memorably. (Fiction. 14 & up)

Pub Date: Jan. 6, 2015

ISBN: 978-0-385-75588-7

Page Count: 400

Publisher: Knopf

Review Posted Online: Oct. 1, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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