Not a good entrance point for readers unfamiliar with the author’s work, but devotees will surely pore over the bits and...

FRANTUMAGLIA

A WRITER'S JOURNEY

An assemblage of correspondence and interviews provides Ferrante-curious readers with a look into the mind and methods of the reclusive author.

First published in Italy in 2003, subsequent to the publication of the author’s first two stand-alone novels, this new and expanded, English-language edition of Frantumaglia (“fragments”) follows the juggernaut that is the Neapolitan Quartet (2012-2015). Interviews, letters, and other fragments from the years spanning 1991 to 2016 touch on a variety of topics, including Ferrante’s widely reported beliefs about books having “no need of their authors” once published and discussions of authors whose works have inspired or informed her own—e.g., Elsa Morante, Alba de Cespedes, Madame de La Fayette. The ambiguous dance Ferrante engages in with readers and interpreters is revealed in the assertion that she would only marginally involve herself with the screenplay for the film adaptation of her early novel Troubling Love, which ultimately translates into the provision of several pages of detailed commentary on the treatment. The author’s ambivalence about the release of the assembled “fragments” of interviews and writings themselves drove her to agree to their publication only if they were presented as an “appendix” or companion text to her novels. Her primary argument that an author’s only duty to readers is the writing of a book—and not selling it or promoting the author—permeates hundreds of pages of excerpted interviews; only rarely does anything of biographical significance sneak through. One distinctive interview, from the art magazine Frieze, does provide tantalizing details about Ferrante’s preferences in art and music, but mostly she confines herself to reiterations of her isolationist manifesto, explorations of her influences, and articulations of the struggles of female authors.

Not a good entrance point for readers unfamiliar with the author’s work, but devotees will surely pore over the bits and pieces in an effort to arrive one step closer at understanding the phenomenon that is Ferrante fever.

Pub Date: Nov. 1, 2016

ISBN: 978-1-60945-292-6

Page Count: 400

Publisher: Europa Editions

Review Posted Online: Oct. 21, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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