Roman à clef by the reclusive author who writes under the name Elena Ferrante (The Lost Daughter, 2008, etc.): a beautifully written portrait of a sometimes difficult friendship.
Set, as is so much of her work, in her native Naples, Italy, Ferrante’s latest is a study in the possibility of triumph over disappointment. Its narrator, Elena Greco, is the daughter of a man who has managed by dint of hard work to rise only to the lowly position of porter at the city government building. Elena is brilliant, but less so than her friend Raffaella Cerullo, called—confusingly, for readers without Italian—Lila or Lina depending on who is talking. Both women, born in the year of liberation, 1944, are ambitious, whip-smart, as at home in the pages of Aristotle as in the hills of their still-battered city. Their native milieu is poor and barely literate, but both have emerged from it, despite the distractions afforded by the boys they like and the violence occasionally visited by those whom they don’t. Lina has always outpaced Elena in every way, not least intellectually; as Elena recalls, “I saw that after half a page of the philosophy textbook she was able to find surprising connections between Anaxagoras, the order that the intellect imposes on the chaos of things, and Mendeleev’s tables.” That chaos, in the first volume of the trilogy to which this volume belongs, swept Lina away from her ambitions toward a domesticity that seems almost arbitrary, while Elena, the very definition of a survivor, forged on. Lina, it appears, will always consider her the lesser of equals, someone who, Elena frets, “couldn’t even imagine that I might change.” Yet, as Ferrante recounts, it is late-blooming Elena whose turn it is to flourish, despite setbacks and false starts; this second book closes with her embarking on what promises to be a brilliant literary career and with the hint that true love may not be far behind.
Admirers of Ferrante’s work will eagerly await the third volume.Pub Date: Sept. 3, 2013
ISBN: 978-1-60945-134-9
Page Count: 480
Publisher: Europa Editions
Review Posted Online: July 20, 2013
Kirkus Reviews Issue: Aug. 1, 2013
Categories: HISTORICAL FICTION
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SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 23, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Categories: LITERARY FICTION | HISTORICAL FICTION
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PROFILES
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 6, 2014
Kirkus Reviews Issue: March 15, 2014
Categories: LITERARY FICTION | HISTORICAL FICTION
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