The enigmatic Ferrante, whose identity remains the subject of international literary gossip, has created a mythic portrait...

THE STORY OF THE LOST CHILD

From the Neapolitan Novels series , Vol. 4

Inexorable seismic changes—in society and in the lives of two female friends—mark the final volume of Ferrante's Neapolitan series.

Elena and Lila, the emotionally entwined duo at the center of Ferrante’s (Those Who Leave and Those Who Stay, 2014, etc.) unsentimental examination of women’s lives and relationships, advance through middle age and early old age (perhaps) in this calamitous denouement to their saga. The more fortunate Elena, an author who struggles to assert herself in the misogynistic world of 1970s and '80s Italy, is drawn back to Naples and its internecine bloodshed; Lila, who has stayed in the city of their youth, is at odds with its controlling families. Elena’s “escape” and attempts at personal and familial fulfillment, on her own terms, hint at the changing roles of women in that era, but it's Lila’s daily struggle in a Camorra-controlled neighborhood that illuminates the deep fractures within contemporary Italian society. The paths to self-determination taken by the lifelong friends merge and separate periodically as the demands of child-rearing, work, and community exert their forces. The far-reaching effects of a horrific blow to Lila’s carefully maintained equilibrium resonate through much of the story and echo Ferrante’s trademark themes of betrayal and loss. While avid devotees of the Neapolitan series will be gratified by the return of several characters from earlier installments, the need to cover ground in the final volume results in a telescoped delivery of some plot points. Elena’s narrative, once again, never wavers in tone and confidently carries readers through the course of two lives, but the shadowy circumstances of those lives will invite rereading and reinterpretation.

The enigmatic Ferrante, whose identity remains the subject of international literary gossip, has created a mythic portrait of a female friendship in the chthonian world of postwar Naples.

Pub Date: Sept. 1, 2015

ISBN: 978-1-60945-286-5

Page Count: 464

Publisher: Europa Editions

Review Posted Online: June 3, 2015

Kirkus Reviews Issue: June 15, 2015

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...

TRUE COLORS

Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).

At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.

Pub Date: Feb. 9, 2009

ISBN: 978-0-312-36410-6

Page Count: 400

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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