A well-researched, fresh contribution to women’s history.

OUT OF THE SHADOWS

SIX VISIONARY VICTORIAN WOMEN IN SEARCH OF A PUBLIC VOICE

How spiritualism and the occult lit a path to fame and influence.

Co-author of a study of women’s literary friendships, Midorikawa follows up with lively portraits of six mid-19th-century spiritualists who faced down derision to become significant advocates of women’s rights. American sisters Kate, Maggie, and Leah Fox were notorious—and, for a time, highly paid—spiritualists who conveyed messages from the dead through mysterious knocks. From humble beginnings in upstate New York, the Foxes inaugurated the modern spiritualist movement, traveling the world demonstrating their powers. They were repeatedly investigated by skeptics, including committees who strip-searched them, which Leah once described as “very insulting and even violent.” Emma Hardinge, a British woman who started out as a singer and actor, was drawn into the Orphic Circle, a group of aristocratic men who conducted experiments “through the mirror and crystal,” assisted by various “young ladies” who underwent a trance state during the tests. Although initially skeptical, Hardinge discovered her talents as a medium—and public speaker. Touring the U.S., she became a popular orator, supporting Lincoln’s candidacy for president, offering a eulogy after his assassination, raising funds for Union soldiers, and lecturing on the rights of women. Ohio-born Victoria Woodhull, who, like Hardinge, offered “the soothing balm” of connection to Civil War dead, found her fame as a spiritualist enhanced by the attentions of shipping magnate Cornelius Vanderbilt. As his protégée, Woodhull amassed considerable wealth and established her own brokerage firm. A passionate champion of female enfranchisement and free love, Woodhull announced her candidacy for president in 1872. Georgina Weldon, a spiritualist whose husband wanted her declared insane, became a prominent spokesperson for reform of Britain’s “lunacy laws.” Hailed by fellow spiritualists, the women were at times mocked, thwarted, and even imprisoned by those who tried to silence them. Drawing on archival material and contemporary accounts of the women’s personal and professional entanglements, Midorikawa briskly recounts their eventful lives, accomplishing the goal inherent in the book’s title.

A well-researched, fresh contribution to women’s history.

Pub Date: May 11, 2021

ISBN: 978-1-64009-230-3

Page Count: 352

Publisher: Counterpoint

Review Posted Online: March 3, 2021

Kirkus Reviews Issue: March 15, 2021

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A conversational, pleasurable look into McConaughey’s life and thought.

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GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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