The now-classic tale’s humor still fosters eye-rolling laughter, with Wohnoutka’s illustrations as rib-tickling complement.

HANUKKAH BEAR

A well-used trope of misidentification allows a village elder to innocently open her home to a possible predator with humorous, even endearing results.

Despite her advanced age of 97 and her poor eyesight and hearing, Bubba Brayna “still [makes] the best potato latkes in the village.” When Old Bear is awakened from his winter sleep by the savory aroma of frying latkes and comes to her door, Bubba Brayna invites him in for a fresh batch, mistaking the bear’s rotund girth and bushy face for the heavy-set bearded rabbi’s. Heading straight for the kitchen, the growling bear is encouraged to play dreidel with nuts he chooses to eat, then devours all the latkes with jam like any hungry bear would. Sleepy and satisfied, he leaves with a gift of a red woolen scarf around his neck. After some investigating by the crowd that has gathered at Bubba Brayna’s door, which includes the actual rabbi, a new batch of potatoes are brought from the cellar, and with everyone’s help, Bubba Brayna hosts a happy Hanukkah. This newly illustrated version of The Chanukkah Guest, illustrated by Giora Carmi (1990), is a softer rendition, with acrylic paints and curved lines in tints of yellow, brown and green for warm, earthy atmosphere.

The now-classic tale’s humor still fosters eye-rolling laughter, with Wohnoutka’s illustrations as rib-tickling complement. (Picture book. 4-6)

Pub Date: July 1, 2013

ISBN: 978-0-8234-2855-7

Page Count: 32

Publisher: Holiday House

Review Posted Online: Aug. 14, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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A good choice to share with wriggly listeners, who will soon be joining in.

AT THE OLD HAUNTED HOUSE

A Halloween book that rides on the rhythms of “Over in the Meadow.”

Although Halloween rhyming counting books abound, this stands out, with a text that begs to be read aloud and cartoony digital illustrations that add goofy appeal. A girl and two boys set off on Halloween night to go trick-or-treating. As the children leave the cozy, warm glow of their street, readers see a haunted house on a hill, with gravestones dotting the front yard. Climbing the twisty path to the dark estate takes time, so the story turns to the antics inside the house. “At the old haunted house in a room with no sun / lived a warty green witch and her wee witch one. ‘SPELL!’ cried the witch. ‘POOF!’ cried the one. / And they both practiced spells in the room with no sun.” The actions of the scary creatures within may seem odd, but the rhyme must go on: Cats scratch, goblins dust, monsters stir, and mummies mix. Eventually the three kids reach the front door and are invited in for stew, cake and brew. At first shocked by the gruesome fare, the children recover quickly and get caught up in partying with the slightly spooky but friendly menagerie.

A good choice to share with wriggly listeners, who will soon be joining in. (Picture book. 4-6)

Pub Date: Aug. 12, 2014

ISBN: 978-1-4778-4769-5

Page Count: 32

Publisher: Two Lions

Review Posted Online: July 16, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 26, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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