THE RUNAWAY TORTILLA

The author of a conventional Gingerbread Man (1993) dishes up another version, this with a Southwestern flavor and a female entree. Tía Lupe makes such light tortillas at El Papagayo Feliz, her south Texan taquería, that one finally jumps up, declares, “I’m too beautiful to eat,” and rolls out the door. Weaving her way past horned toads, rattlesnakes, cowboys, and other pursuers, the tortilla sings out a catchy, taunting refrain, printed in long, wavy lines across each spread: “Run as fast as can be. You won’t get a bite of me. Doesn’t matter what you do. I’ll be far ahead of you!” Like a small, gleeful moon, the tortilla rolls across Cecil’s dusty, mustard-yellow chaparral, chased by a growing crowd of hungry-looking admirers, meeting her inevitable end when sly Coyote begs her prettily to remove the “grasshopper” that has lodged in his throat. Deeper and deeper into his throat she travels until all that shows are his teeth wrapped around the edge of the pages and the tortilla staring down his gullet. And “SNAP!” How sad. How delicious! (Picture book/folk tale. 6-8)

Pub Date: Sept. 1, 2000

ISBN: 1-890817-18-X

Page Count: 40

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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HELLO, HARVEST MOON

As atmospheric as its companion, Twilight Comes Twice, this tone poem pairs poetically intense writing with luminescent oils featuring widely spaced houses, open lawns, and clumps of autumnal trees, all lit by a huge full moon. Fletcher tracks that moon’s nocturnal path in language rich in metaphor: “With silent slippers / it climbs the night stairs,” “staining earth and sky with a ghostly glow,” lighting up a child’s bedroom, the wings of a small plane, moonflowers, and, ranging further afield, harbor waves and the shells of turtle hatchlings on a beach. Using creamy brushwork and subtly muted colors, Kiesler depicts each landscape, each night creature from Luna moths to a sleepless child and her cat, as well as the great moon sweeping across star-flecked skies, from varied but never vertiginous angles. Closing with moonset, as dawn illuminates the world with a different kind of light, this makes peaceful reading either in season, or on any moonlit night. (Picture book. 6-8)

Pub Date: Sept. 22, 2003

ISBN: 0-618-16451-0

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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IGGY PECK, ARCHITECT

A repressive teacher almost ruins second grade for a prodigy in this amusing, if overwritten, tale. Having shown a fascination with great buildings since constructing a model of the Leaning Tower of Pisa from used diapers at age two, Iggy sinks into boredom after Miss Greer announces, throwing an armload of histories and craft projects into the trash, that architecture will be a taboo subject in her class. Happily, she changes her views when the collapse of a footbridge leaves the picnicking class stranded on an island, whereupon Iggy enlists his mates to build a suspension bridge from string, rulers and fruit roll-ups. Familiar buildings and other structures, made with unusual materials or, on the closing pages, drawn on graph paper, decorate Roberts’s faintly retro cartoon illustrations. They add an audience-broadening element of sophistication—as would Beaty’s decision to cast the text into verse, if it did not result in such lines as “After twelve long days / that passed in a haze / of reading, writing and arithmetic, / Miss Greer took the class / to Blue River Pass / for a hike and an old-fashioned picnic.” Another John Lithgow she is not, nor is Iggy another Remarkable Farkle McBride (2000), but it’s always salutary to see young talent vindicated. (Picture book. 6-8)

Pub Date: Oct. 1, 2007

ISBN: 978-0-8109-1106-2

Page Count: 32

Publisher: Abrams

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2007

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