POULTRYGEIST

The chicken crosses the road…and arrives on the other side as a ghost.

The action kicks off before the title page when the chicken crossing the road winds up a splatter of feathers against the grille of a tractor trailer. When its ghost rises from the squished remains, it meets a host of other animal ghosts that encourage the new poultrygeist to start getting scary. They probably didn’t realize, however, that they’d be the ones to be frightened. Geron’s text is full of punny lines like “It’s time to get foul, fowl!” and “Ghosts of a feather haunt together!” Midway through, the poultrygeist turns to readers to make sure they’re not too scared. This is a nice touch, maintaining engagement while also giving more timid readers time to take a beat. Oswald’s illustrations display masterful use of color, with bright, ghostly animals against a dark, often all-black background, the dialogue shown in colors that correspond to the speakers. These ghosts do become scary but not enough to completely terrorize readers. Oswald’s skill is seen in full effect, as readers witness only the animal ghosts’ reactions to the poultrygeist’s scariest face, building suspense for the full reveal. This book is just right for kids easing into the slightly scary and macabre but who still want a safe and fun read.

Kid-friendly dark humor. (Picture book. 5-8)

Pub Date: Aug. 17, 2021

ISBN: 978-1-5362-1050-7

Page Count: 32

Publisher: Candlewick

Review Posted Online: July 14, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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A touching, beautifully illustrated story of greatest interest to those in the New York City area.

RED AND LULU

A pair of cardinals is separated and then reunited when their tree home is moved to New York City to serve as the Rockefeller Center Christmas tree.

The male cardinal, Red, and his female partner, Lulu, enjoy their home in a huge evergreen tree located in the front yard of a small house in a pleasant neighborhood. When the tree is cut down and hauled away on a truck, Lulu is still inside the tree. Red follows the truck into the city but loses sight of it and gets lost. The birds are reunited when Red finds the tree transformed with colored lights and serving as the Christmas tree in a complex of city buildings. When the tree is removed after Christmas, the birds find a new home in a nearby park. Each following Christmas, the pair visit the new tree erected in the same location. Attractive illustrations effectively handle some difficult challenges of dimension and perspective and create a glowing, magical atmosphere for the snowy Christmas trees. The original owners of the tree are a multiracial family with two children; the father is African-American and the mother is white. The family is in the background in the early pages, reappearing again skating on the rink at Rockefeller Center with their tree in the background.

A touching, beautifully illustrated story of greatest interest to those in the New York City area. (author’s note) (Picture book. 5-8)

Pub Date: Sept. 19, 2017

ISBN: 978-0-7636-7733-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Aug. 21, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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Frightful and delightful: a comforting (to some, anyway) reminder that no one sleeps alone.

HOW I MET MY MONSTER

From the I Need My Monster series

In a tardy prequel to I Need My Monster (2009), candidates for that coveted spot under the bed audition.

As the distressingly unflappable young narrator looks on, one monster after another gives it a go—but even with three mouths, the best roar Genghis can manage is a puny “blurp!”, silly shadow puppets by shaggy Morgan elicit only a sneeze, and red Abigail’s attempt to startle by hiding in the fridge merely leaves her shivering and pathetic. Fortunately, there’s Gabe, who knows just how to turn big and hairy while lurking outside the bathroom and whose red-eyed stare and gross drooling sends the lad scrambling into bed to save his toes. “Kid, I think this is the beginning of a beautiful friendship,” the toothy terror growls. Right he is, the lad concludes, snuggling down beneath the covers: “His snorts and ooze were perfect.” As usual, the white-presenting child’s big, bright, smiling face and the assortment of bumbling monsters rendered in oversaturated hues keep any actual scariness at tentacle’s length. Moreover, Monster, Inc. fans will delight in McWilliam’s painstaking details of fang, claw, hair, and scales.

Frightful and delightful: a comforting (to some, anyway) reminder that no one sleeps alone. (Picture book. 5-8)

Pub Date: Nov. 1, 2019

ISBN: 978-1-947277-09-0

Page Count: 32

Publisher: Flashlight Press

Review Posted Online: June 23, 2019

Kirkus Reviews Issue: July 15, 2019

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