Caldwell’s fourth memoir sings. It’s a song for the ages, but it sounds especially resonant in the #MeToo era.

BRIGHT PRECIOUS THING

A MEMOIR

A glistening reflection on how the women’s movement profoundly influenced the Pulitzer Prize winner’s life.

Raised in the Texas Panhandle, “a stronghold of Protestant churches and Republican politics,” Caldwell knows her life could’ve easily played out differently. She began college at Texas Tech in 1968, just as the first wave of feminism caught fire. Then she transferred to the University of Texas, located in Austin, deemed the “the den of iniquity” by her mother. It was there, in that “countercultural hotbed,” that she attended her first women’s liberation rally. Though Caldwell was clearly never wired for Stepford life, she superbly demonstrates how the women’s movement was a beacon that led her to fully embrace her equality and autonomy. Not that these things were easily won. She suffered sexual harassment and assault as well as rape, and she had an illegal abortion in Mexico when she was 19. She confronted frequent sexism in academia and battled alcoholism (the latter features prominently in Caldwell’s bestselling memoir, Let’s Take the Long Way Home). Jumping from her childhood and young adulthood in Texas to her present life in Massachusetts, the author revisits a variety of seasons and scenarios, but the presence of feminism is always evident. “The women’s movement gave me a reclamation of self I had found nowhere else,” she writes, “and I don’t like imagining my life without it.” Caldwell pays tribute to some of the men in her life, including her father, her therapist, and her longtime AA buddies, and her love of dogs is also readily apparent. One of the unexpected driving forces of the narrative is an ambrosial, 5-year-old girl named Tyler, a neighbor who seems to effortlessly embody the feminist ideals the author has spent decades cultivating.

Caldwell’s fourth memoir sings. It’s a song for the ages, but it sounds especially resonant in the #MeToo era.

Pub Date: July 7, 2020

ISBN: 978-0-525-51005-5

Page Count: 208

Publisher: Random House

Review Posted Online: April 7, 2020

Kirkus Reviews Issue: May 1, 2020

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A conversational, pleasurable look into McConaughey’s life and thought.

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GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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For Patterson fans who can’t get enough.

THE DEFENSE LAWYER

THE BARRY SLOTNICK STORY

The Patterson publishing machine clanks its way into the nonfiction aisles in this lumbering courtroom drama.

Barry Slotnick made a considerable fortune and reputation as a defense attorney who had a long list of controversial clients, including mob boss John Gotti and Panamanian strongman Manuel Noriega. An “urbane lawyer known for his twenty-five-hundred-dollar Fioravanti suits, he was not unacquainted with violence,” write Patterson and Wallace. One of his early cases, indeed, involved a group of Jewish Defense League members who allegedly blew up a Broadway producer’s office, killing a woman who worked there. Slotnick’s defense was a standard confuse-the-jury ploy, but it worked. He put similar tactics to work in his defense of Bernhard Goetz, the “subway shooter” whose trial made international news. The authors open after that trial had concluded in yet another Slotnick win, and with a sensational incident: He was attacked by a masked man who beat him with a baseball bat. The evidence is sketchy, but it seems to place the attack in the hands of organized crime—perhaps even Gotti himself. No matter: Slotnick, “who saw himself as the foe of the all-powerful government” and “liberty’s last champion,” was soon back to representing clients including Radovan Karadžić, the murderous Bosnian Serb who was eventually imprisoned for having committed genocide; Dewi Sukarno, the widow of Indonesia’s similarly bloodstained president, “arrested for slashing the face of a fellow socialite with a broken champagne glass at a party in Aspen”; and Melania Trump, who had chosen Slotnick “to handle her prenup.” In the hands of a John Grisham, the story might have come to life, but while Patterson does a serviceable if cliché-ridden job of recounting Slotnick’s career, he fails to give readers much reason to admire the man.

For Patterson fans who can’t get enough.

Pub Date: Dec. 20, 2021

ISBN: 978-0-316-49437-3

Page Count: 416

Publisher: Little, Brown

Review Posted Online: Oct. 13, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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