The gold standard among conservative columnists remains William F. Buckley Jr., who can be enjoyed as literature even if you...

WITH A HAPPY EYE BUT...

AMERICA AND THE WORLD, 1997-2002

Columns published over the past five years provide conservative pundit Will’s trademark curmudgeonly commentary on the gilded Clinton years and the dawn of the more troubled W. era.

King of the Beltway pundits in the 1980s, Will (The Woven Figure, 1997, etc.) was ever so gently dethroned in the ’90s. On the right, there were the more red-blooded types, and on the left there was Bill Clinton, unlikely to ever invite George to an Oval Office confab. Will, however, has always been better as a contrarian than an insider. He takes on such distasteful (to him) features of the high ’90s as the use of the courts to enforce entitlements, the tastelessness of the first Bubba in the White House (including, of course, the sexual peccadilloes that lead to his impeachment), the unctuousness of the first lady, and the expansion of a bureaucratically powered government into ever-new areas of private life. This time, Will’s best essays are on cultural rather than political topics, with particular attention paid to what he sees as the threat to the “seamlessness” of cultural memory embodied in dumbed-down pop culture and “leftist” academic culture. Will’s faults are evident in here too: for instance, his tic of larding columns with enough quotations to make Bartlett want to sue. He also has a penchant for intemperate, off-the-cuff anathemas. His conclusion about Clinton, for instance: “the worst person ever to have been president.” Really? Worse than, say, slaveholder and would-be ethnic cleanser of Indians Andrew Jackson?

The gold standard among conservative columnists remains William F. Buckley Jr., who can be enjoyed as literature even if you don’t agree with him; the same cannot be said of Will. Nonetheless, a must-read for aficionados of Beltway journalism.

Pub Date: Sept. 19, 2002

ISBN: 0-684-83821-4

Page Count: 384

Publisher: Free Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2002

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However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

I KNOW WHY THE CAGED BIRD SINGS

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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A Churchill-ian view of native history—Ward, that is, not Winston—its facts filtered through a dense screen of ideology.

AN INDIGENOUS PEOPLES' HISTORY OF THE UNITED STATES

Custer died for your sins. And so, this book would seem to suggest, did every other native victim of colonialism.

Inducing guilt in non-native readers would seem to be the guiding idea behind Dunbar-Ortiz’s (Emerita, Ethnic Studies/California State Univ., Hayward; Blood on the Border: A Memoir of the Contra War, 2005, etc.) survey, which is hardly a new strategy. Indeed, the author says little that hasn’t been said before, but she packs a trove of ideological assumptions into nearly every page. For one thing, while “Indian” isn’t bad, since “[i]ndigenous individuals and peoples in North America on the whole do not consider ‘Indian’ a slur,” “American” is due to the fact that it’s “blatantly imperialistic.” Just so, indigenous peoples were overwhelmed by a “colonialist settler-state” (the very language broadly applied to Israelis vis-à-vis the Palestinians today) and then “displaced to fragmented reservations and economically decimated”—after, that is, having been forced to live in “concentration camps.” Were he around today, Vine Deloria Jr., the always-indignant champion of bias-puncturing in defense of native history, would disavow such tidily packaged, ready-made, reflexive language. As it is, the readers who are likely to come to this book—undergraduates, mostly, in survey courses—probably won’t question Dunbar-Ortiz’s inaccurate assertion that the military phrase “in country” derives from the military phrase “Indian country” or her insistence that all Spanish people in the New World were “gold-obsessed.” Furthermore, most readers won’t likely know that some Ancestral Pueblo (for whom Dunbar-Ortiz uses the long-abandoned term “Anasazi”) sites show evidence of cannibalism and torture, which in turn points to the inconvenient fact that North America wasn’t entirely an Eden before the arrival of Europe.

A Churchill-ian view of native history—Ward, that is, not Winston—its facts filtered through a dense screen of ideology.

Pub Date: Sept. 16, 2014

ISBN: 978-0-8070-0040-3

Page Count: 296

Publisher: Beacon Press

Review Posted Online: Aug. 18, 2014

Kirkus Reviews Issue: Sept. 15, 2014

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