Swift has fun with language, with class conventions, and with narrative expectations in a novel where nothing is as simple...

MOTHERING SUNDAY

In England of 1924, a maid who knows her affair with an estate owner’s son must end moves through that last day with sly humor and sensual detail.

Swift (England and Other Stories, 2015, etc.) subtitles this slim novel “A Romance” and begins it like a fairy tale, with the words “Once upon a time.” It’s the first of numerous ironies. Narrated in the third person from the point of view and stream of consciousness of housemaid Jane Fairchild, 22, the story moves through the closing hours of her affair with Paul Sheringham, 23, the only remaining child of parents who lost their two other boys during World War I. It's Mothering Sunday, when domestics traditionally visit their mothers. Not only is the help vacating the Sheringham premises, but Paul’s parents are away on a lunch outing. Many languorous post-coital pages describe how Paul moves naked about his bedroom, how he and Jane share a cigarette in bed, and finally his getting up and dressed and on the road to meet with the woman he is to marry in two weeks. Then come many equally unhurried pages in which Jane wanders naked around the empty house. The one-day time frame is broken by flashbacks to her days as an orphan, her coming into service, and aspects of life above and below stairs. The narrator also steps in to share with the reader things Jane doesn’t yet know: that she will die at 98 after a career as a famous novelist and that Paul, for reasons only a spoiler would reveal, will never marry. Jane is a marvelous creation who can seem wry, world-weary, innocent, or lusty, bringing to mind Molly Bloom.

Swift has fun with language, with class conventions, and with narrative expectations in a novel where nothing is as simple or obvious as it seems at first.

Pub Date: April 19, 2016

ISBN: 978-1-101-94752-4

Page Count: 192

Publisher: Knopf

Review Posted Online: Jan. 31, 2016

Kirkus Reviews Issue: Feb. 15, 2016

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Still, a respectful and absorbing page-turner.

THE NIGHTINGALE

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 20, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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