A perfect Mobius strip of a novel that playfully examines the creative and destructive potential of language.

PRESENT TENSE MACHINE

A slippery metafictional take on the peril and power of words and how identities fracture and compartmentalize across a lifetime, from one of the most exciting contemporary voices in international literature.

In another masterful translation by Dickson of Øyehaug's wily, mercurial prose, the author-translator team frolics across the multiverse to explore the rifts that open between, most especially, mothers and daughters but also spouses and ex-lovers and between self-perception and how others experience us. Laura, a 24-year-old literature teacher, is pregnant with her first child and increasingly anxious as her due date approaches: about the safety of their fire-trap flat, about fidelity (her own and her husband's), and about "a disconcerting feeling that everything is double." Anna, aged 44, mother of two children—that she knows of—is a writer working on her latest book and perennial obsession, a novel about the origins of language. Though Anna and Laura are unaware of each other’s existence, they are, in fact, mother and daughter. Twenty-two years earlier, Anna sat reading Swedish poetry while supervising 2-year-old Laura pedaling her tricycle in the front yard. When Anna misread the word “trädgård” (garden) as the nonsensical "tärdgård," it opened a parallel universe that Laura vanished into, entirely erased but for Anna's lasting sense that something important is missing, while in Laura's new universe, Anna has never existed at all. At the same time, Anna's husband, Bård, returning from a job in the upper reaches of Norway to escape his attraction to another woman, split in two—one version in each universe—as he bought a newspaper and committed the same misreading. In the present, as Laura prepares for her own daughter's birth, Anna works on her novel, her narrator simultaneously writing the story we ourselves are reading, and navigates a relationship with her teenage daughter, Elina, that seems at times hardly more bridgeable than that with her lost daughter living in an alternate universe. With wry hyperbole, Øyehaug plays out the effects one seemingly inconsequential mistake can have on our relationships, our selves, and the lives of the next generation.

A perfect Mobius strip of a novel that playfully examines the creative and destructive potential of language.

Pub Date: Jan. 11, 2022

ISBN: 978-0-3742-3717-2

Page Count: 176

Publisher: Farrar, Straus and Giroux

Review Posted Online: Nov. 13, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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An alternately farcical and poignant look at family bonds.

THE SUMMER PLACE

When a family convenes at their Cape Cod summer home for a wedding, old secrets threaten to ruin everything.

Sarah Danhauser is shocked when her beloved stepdaughter announces her engagement to her boyfriend, Gabe. After all, Ruby’s only 22, and Sarah suspects that their relationship was fast-tracked because of the time they spent together in quarantine during the early days of the pandemic. Sarah’s mother, Veronica, is thrilled, mostly because she longs to have the entire family together for one last celebration before she puts their Cape Cod summer house on the market. But getting to Ruby and Gabe’s wedding might prove more difficult than anyone thought. Sarah can’t figure out why her husband, Eli, has been so distant and distracted ever since Ruby moved home to Park Slope (bringing Gabe with her), and she's afraid he may be having an affair. Veronica is afraid that a long-ago dalliance might come back to bite her. Ruby isn’t sure how to process the conflicting feelings she’s having about her upcoming nuptials. And Sam, Sarah’s twin brother, is a recent widower who’s dealing with some pretty big romantic confusion. As the entire extended family, along with Gabe’s relatives, converges on the summer house, secrets become impossible to keep, and it quickly becomes clear that this might not be the perfect gathering Veronica was envisioning. If they make it to the wedding, will their family survive the aftermath? Weiner creates a story with all the misunderstandings and miscommunications of a screwball comedy or a Shakespeare play (think A Midsummer Night’s Dream). But the surprising, over-the-top actions of the characters are grounded by a realistic and moving look at grief and ambition (particularly for Sarah and Veronica, both of whom give up demanding creative careers early on). At times the flashbacks can slow down the story, but even when the characters are lying, cheating, and hiding from each other, they still seem like a real and loving family.

An alternately farcical and poignant look at family bonds.

Pub Date: May 10, 2022

ISBN: 978-1-5011-3357-2

Page Count: 432

Publisher: Atria

Review Posted Online: Feb. 9, 2022

Kirkus Reviews Issue: March 1, 2022

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With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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REMINDERS OF HIM

After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 13, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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