A short, bleak, capably written book, ironically titled, icy cold to the core.

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Prizewinning Norwegian Ørstavik (The Blue Room, 2014, etc.) follows the parallel courses of a single mother and her 8-year-old son during a night that moves unrelentingly toward tragedy.

Vibeke and her son, Jon, have recently relocated to a small town in northern Norway. Vibeke's mind is on a brown-eyed engineer at her new job. Jon is hoping for a train set for his birthday the next day and looking forward to the cake he imagines his mother making. A thoughtful boy, he has a way of blinking that annoys her and is concerned about torture victims around the world. "Dearest Jon," his mother calls him at dinner, but to herself she thinks, "Can't you just go...find something to do, play or something?" She remembers a dream that began at a glamorous party where a man admired her but ended in the "stench of urine," in "a wasteground of asphalt and ice." While she showers, Jon goes out into the wintry night to sell raffle tickets for the local sports center. He makes a friend and, dozing at her house later, also dreams: he and his mother return to their previous home and find it vandalized, his father at the table eating all their food and telling "sad stories about his life." A nightmarish sense of impending doom hangs over these carefully detailed, tightly controlled pages. Vibeke, thinking her son asleep in his room, also goes out. She has forgotten all about his birthday and goes bar hopping with a traveling carnival worker she meets. Her story and Jon's are told breathlessly close together, without page breaks, almost overlapping. When Jon returns from town, the house is locked, the car gone. It is at this point after 11 p.m.. Not once has it occurred to Vibeke to put her child to bed or even say good night to him. (Though this is clearly essential to the plot, it perhaps strains credulity.) She must have needed something for his birthday cake, he tells himself, and accepts a ride from a stranger in order to stay warm. "Aren't boys your age supposed to be in bed by now?" the driver asks. But it isn't creepy locals who pose the greatest threat or torture victims Jon should be worrying about.

A short, bleak, capably written book, ironically titled, icy cold to the core.

Pub Date: Feb. 13, 2018

ISBN: 978-0-914671-94-7

Page Count: 128

Publisher: Archipelago

Review Posted Online: Nov. 12, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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  • New York Times Bestseller

  • National Book Award Finalist

  • Pulitzer Prize Winner

ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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A clever and current book about a complicated woman and her romantic relationships.

CONVERSATIONS WITH FRIENDS

The story of the entangled affairs of a group of exceedingly smart and self-possessed creative types.

Frances, an aloof and intelligent 21-year-old living in Dublin, is an aspiring poet and communist. She performs her spoken-word pieces with her best friend and ex-lover, Bobbi, who is equally intellectual but gregarious where Frances is shy and composed where Frances is awkward. When Melissa, a notable writer and photographer, approaches the pair to offer to do a profile of them, they accept excitedly. While Bobbi is taken with Melissa, Frances becomes infatuated by her life—her success, her beautiful home, her actor husband, Nick. Nick is handsome and mysterious and, it turns out, returns Frances’ attraction. Although he can sometimes be withholding of his affection (he struggles with depression), they begin a passionate affair. Frances and Nick’s relationship makes difficult the already tense (for its intensity) relationship between Frances and Bobbi. In the midst of this complicated dynamic, Frances is also managing endometriosis and neglectful parents—an abusive, alcoholic father and complicit mother. As a narrator, Frances describes all these complex fragments in an ethereal and thoughtful but self-loathing way. Rooney captures the mood and voice of contemporary women and their interpersonal connections and concerns without being remotely predictable. In her debut novel, she deftly illustrates psychology’s first lesson: that everyone is doomed to repeat their patterns.

A clever and current book about a complicated woman and her romantic relationships.

Pub Date: July 11, 2017

ISBN: 978-0-451-49905-9

Page Count: 304

Publisher: Hogarth

Review Posted Online: April 18, 2017

Kirkus Reviews Issue: May 1, 2017

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