A deep subtext of love and loss, childhood and awakening, power and trust resonate through these pages at least as strongly...

THE SNOW QUEEN

One of the great illustrators of our time takes on one of the knottier Andersen fairy tales, producing a gorgeous and winning result.

MacDonald’s retelling hews closely to Andersen’s original in all its complexity but without its Christian allusions. It begins with a prologue: A wicked troll creates a mirror in which everything good looks hideous, and everything evil looks entrancing. The mirror breaks into millions of tiny pieces and pollutes the world. In winter, when Gerda’s grandmother tells the story of the Snow Queen to Gerda and her friend Kai, the window flies open, and Kai is pierced by a tiny shard of the troll mirror. He insults Gerda, dashes outside and is whisked away on his sled by the Snow Queen herself. Gerda does not believe he is dead and searches through many adventures and adversities to find and rescue him. Ibatoulline’s paintings are a wonder of form and color. On one spread, the icy queen wraps Kai completely in her blue and gray fur blanket; on the next, Gerda takes a boat on a sunlit river in a golden spring to find him. There are princesses and robbers, mysterious crows and talking reindeer. Ibatoulline renders the northern lights more exquisitely than any photograph.

A deep subtext of love and loss, childhood and awakening, power and trust resonate through these pages at least as strongly as the magnificent images. (Picture book/fairy tale. 7-12)

Pub Date: Oct. 1, 2013

ISBN: 978-0-06-220950-4

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 3, 2013

Kirkus Reviews Issue: Aug. 15, 2013

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Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

GHOSTS

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 2, 2016

Kirkus Reviews Issue: July 15, 2016

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A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...

NUMBER THE STARS

The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.

Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.

A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)

Pub Date: April 1, 1989

ISBN: 0547577095

Page Count: 156

Publisher: Houghton Mifflin

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: March 15, 1989

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