DINOSAUR HABITAT

Dinosaurs break out of their terrarium confines, taking two brothers for a wild ride, in this junior Jurassic Park from Griffith (Dream Meadow, 1994, etc.). Every kid’s dinosaur daydream becomes reality when 12-year-old Nathan tosses younger brother Ryan’s fossilized egg across the room, where it lands in the center of Ryan’s terrarium. As mist envelops the bedroom, desks and chairs recede and carpets become squishy; the boys find themselves lost in a larger-than-life swampy, volcanic habitat, whose rollicking, rampaging residents are giant dinosaurs and insects. Nathan and Ryan easily accept their situation in the face of immediate danger from an ornery coelophysis, a reptilian home-wrecker who steals a mother hadrosaur’s nest eggs; each brief, subsequent episode introduces a new dinosaur, anticipated by Ryan, who knows the attributes of the plastic creatures from his terrarium. Despite a repetitive plot, Griffith competently varies the action and description of the boys’ alternating thrill and terror in the face of such creatures as a “gigantic, glittering carnivore,” or the threat of a lava-spewing volcano. Some irksome banter between the brothers—Nathan constantly muddling dinosaur names with Ryan just as regularly correcting him—doesn’t detract from the screeches, wails, and shrieks that will certainly entice newly independent readers into the pages. (b&w illustrations, not seen) (Fiction. 8-11)

Pub Date: April 1, 1998

ISBN: 0-688-15324-0

Page Count: 97

Publisher: Greenwillow Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 1998

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If not as effervescent as Roz’s first outing, it is still a provocatively contemplative one.

THE WILD ROBOT ESCAPES

Roz, a robot who learned to adapt to life among wild creatures in her first outing, seeks to return to the island she calls home.

Brown’s sequel to The Wild Robot (2016) continues an intriguing premise: What would happen to a robot after challenges in an unexpected environment cause it to evolve in unusual ways? As this book opens, Roz is delivered to a farm where she helps a widower with two young children run a dairy operation that has been in his family for generations. Roz reveals her backstory to the cows, who are supportive of the robot’s determination to return to the island and to her adopted son, the goose Brightbill. The cows, the children, and finally Brightbill himself come to Roz’s aid. The focus on Roz’s escape from human control results in a somewhat solemn and episodic narrative, with an extended journey and chase after Roz leaves the farm. Dr. Molovo, a literal deus ex machina, appears near the end of the story to provide a means of rescue. She is Roz’s designer/creator, and, intrigued by the robot’s adaptation and evolution but cognizant of the threat that those achievements might represent to humans, she assists Roz and Brightbill in their quest. The satisfactory (if inevitable-feeling) conclusion may prompt discussion about individual agency and determination, whether for robots or people.

If not as effervescent as Roz’s first outing, it is still a provocatively contemplative one. (Fiction. 8-11)

Pub Date: March 13, 2018

ISBN: 978-0-316-38204-5

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Feb. 3, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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This kid-friendly satire ably sets claws into a certain real-life franchise.

BAD KITTY GOES ON VACATION

From the Bad Kitty (chapter book) series

A trip to the Love Love Angel Kitty World theme park (“The Most Super Incredibly Happy Place on Earth!”) turns out to be an exercise in lowered expectations…to say the least.

When Uncle Murray wins a pair of free passes it seems at first like a dream come true—at least for Kitty, whose collection of Love Love Kitty merch ranges from branded underwear to a pink chainsaw. But the whole trip turns into a series of crises beginning with the (as it turns out) insuperable challenge of getting a cat onto an airplane, followed by the twin discoveries that the hotel room doesn’t come with a litter box and that the park doesn’t allow cats. Even kindhearted Uncle Murray finds his patience, not to say sanity, tested by extreme sticker shock in the park’s gift shop and repeated exposures to Kitty World’s literally nauseating theme song (notation included). He is not happy. Fortunately, the whole cloying enterprise being a fiendish plot to make people so sick of cats that they’ll pick poultry as favorite pets instead, the revelation of Kitty’s feline identity puts the all-chicken staff to flight and leaves the financial coffers plucked. Uncle Murray’s White, dumpy, middle-aged figure is virtually the only human one among an otherwise all-animal cast in Bruel’s big, rapidly sequenced, and properly comical cartoon panels.

This kid-friendly satire ably sets claws into a certain real-life franchise. (Graphic satire. 8-11)

Pub Date: Dec. 29, 2020

ISBN: 978-1-250-20808-8

Page Count: 160

Publisher: Roaring Brook Press

Review Posted Online: Sept. 29, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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