Le Tellier examines the possibilities of love after 40, and he deals with this issue with patience, understanding and...

ENOUGH ABOUT LOVE

Two love triangles (equal one love hexagon?) that reveal much—or at least enough—about love.

The first complication d’amour involves Thomas Le Gall, a psychiatrist in Paris. He waits for Anna Stein, one of his patients for 12 years and now finally getting ready to end her therapy. Toward the end of this session, she impulsively blurts out that she’s recently met Yves Janvier, a writer whom she finds intriguing. Le Gall duly notes this information and then a few hours later is struck by an erotic thunderbolt of his own in the form of Louise Blum, a lawyer whom he meets at a party and who could be Anna’s “blond twin.” Louise is married to a prominent scientist, Romain Vidal, whom she’s beginning to find lackluster and boring, while Anna is married to Stan, a prominent ophthalmologist. And while both family situations are complicated by children, amatory instincts begin to overtake the better judgment of the adults. Anna and Yves begin an affair, as do Thomas and Louise. French author Le Tellier occasionally and cleverly crosses the threads of his dual plot—e.g., by having Anna and Louise meet each other accidentally while shopping for clothes. And of course Anna makes her developing relationship with Yves (and deteriorating relationship with Romain) part of her confessional sessions with Le Gall. Tellingly, at one point she says, “ 'if I stay with Yves, I’ll have the life I’m dreaming of,’ ” which Le Gall repeats as, “ 'The life you’re dreaming of. You’re dreaming.’ ” Yves writes a short book based on his liaison with Anna Stein (Forty Memories of Anna Stein), which Le Tellier incorporates as part of his novel. Meanwhile, Romain sets up an appointment with Le Gall under an assumed name and uses this occasion to let the psychiatrist know that Romain is not in the dark about the affair Le Gall is engaged in with his wife.

Le Tellier examines the possibilities of love after 40, and he deals with this issue with patience, understanding and bemusement.

Pub Date: Feb. 8, 2011

ISBN: 978-1-59051-399-6

Page Count: 240

Publisher: Other Press

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Dec. 15, 2010

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Absolutely enthralling. Read it.

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NORMAL PEOPLE

A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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This book sings with the terrible silence of dead civilizations in which once there was valor.

THINGS FALL APART

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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