A. NONNY MOUSE WRITES AGAIN!

The much overlooked Ms. Mouse, whose Poems of A. Nonny Mouse (1989) was an ALA Notable, reappears with another collection of comic verse often attributed to ``Anonymous'' (plus four entries claimed to be the work of her compiler). Informally grouped by subject, with several entries sharing each spread (various fantastical events occur in the sea around Noah's Ark, including Prelutsky's ``Tiny surfer,/Bold and brave,/Surfed upon/A microwave''), the verses include much that's long familiar as well as some of more recent vintage (``Methuselah ate what he found on his plate''—and never counted calories). Priceman's illustrations, singing with color and lively with activity, have a lot of panache; they don't have the marvelous wit and elegance of Drescher's surreal art for the first book, but they may appeal to a wider audience. Not quite as ebullient as Ms. Mouse's earlier effort, but still wonderfully welcome. (Poetry/Picture book. 4-10

Pub Date: Aug. 2, 1993

ISBN: 0-679-83715-9

Page Count: 34

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 1993

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A sweet, soft conversation starter and a charming gift.

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BECAUSE I HAD A TEACHER

A paean to teachers and their surrogates everywhere.

This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.

A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)

Pub Date: March 1, 2017

ISBN: 978-1-943200-08-5

Page Count: 32

Publisher: Compendium

Review Posted Online: Dec. 14, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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TO MARKET, TO MARKET

A marketing trip from Miranda (Glad Monster, Sad Monster, p. 1309) that jiggity jigs off in time-honored nursery-rhyme fashion, but almost immediately derails into well-charted chaos. The foodstuffs—the fat pig, the red hen, the plump goose, the pea pods, peppers, garlic, and spice—are wholly reasonable in light of the author's mention of shopping at traditional Spanish mercados, which stock live animals and vegetables. Stevens transfers the action to a standard American supermarket and a standard American kitchen, bringing hilarity to scenes that combine acrylics, oil pastels, and colored pencil with photo and fabric collage elements. The result is increasing frazzlement for the shopper, an older woman wearing spectacles, hat, and purple pumps (one of which is consumed by her groceries). It's back to market one last time for ingredients for the hot vegetable soup she prepares for the whole bunch. True, her kitchen's trashed and she probably won't find a welcome mat at her supermarket hereafter, but all's well that ends well—at least while the soup's on. (Picture book. 4-8)

Pub Date: Oct. 1, 1997

ISBN: 0-15-200035-6

Page Count: 36

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 15, 1997

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