A fine murder mystery, in the style of Agatha Christie, with a hawk-eyed protagonist and bevy of suspects.


In Ayer’s (Tales of Chinkapin Creek, Volume II, 2012, etc.) mystery novel, the accidental death of an affluent alcoholic may, in fact, be a simple case of murder.

It’s the first party of the summer in French Haven, Maine, at George Wollaston’s home, and many of the guests are inebriated. Afterward, caterer Richard Grassie finds George dead from an apparent fall down the backyard steps. It’s initially viewed as an unfortunate accident; George had a similar stumble just last year. But it turns out that there’s no shortage of people who wanted to see him dead—including his wife, Margaret, who blames him for their son’s suicide, and his teenage daughter, Angie, whom he’d humiliated by loudly disapproving of her attire at the party. When cops find evidence that George may have been drugged, nearly everyone at the party becomes a suspect. It’s up to amateur sleuth Richard, along with police chief Eliot Perham and Detective Le Bel, to solve the murder. Richard is initially afraid he might forget details about that night, so he writes down everything he can remember for the police; it’s a plot point that functions superbly, as it provides a logical reason for him to work with Chief Eliot. It also inserts some drama into the story, as his notes also cause police to question his friend and co-worker Flora. Fans of traditional whodunits will be delighted with this tale, as it exuberantly follows many genre conventions, including suspects who may not be murderers but definitely have secrets to hide. Ayer sets the mystery in the 1980s, which adds to its classic mystery appeal, as there’s no modern technology in sight. The story’s most remarkable element, however, is the way it tackles the serious issue of alcoholism. George’s addiction, for example, has devastated his family, and Richard’s own father was also a heavy drinker. Alcohol even has detrimental consequences for the murder case, as one guest’s intoxication makes her an unreliable witness.

A fine murder mystery, in the style of Agatha Christie, with a hawk-eyed protagonist and bevy of suspects.

Pub Date: April 17, 2014

ISBN: 978-1484980675

Page Count: 272

Publisher: CreateSpace

Review Posted Online: May 30, 2014

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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