Gripping and thoroughly unsettling: This one will be flying off the shelves.

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THE PLOT

A washed-up novelist finds bestselling success with a story purloined from an arrogant student. What could possibly go wrong?

Pretty much everything in Korelitz’s satisfyingly twisty thriller. But at first, when Jacob Finch Bonner learns about the sudden death of Evan Parker, the jerk who'd swaggered into his office at a 10th-rate low-residency MFA program and shared the outrageous plot premise that was going to make him rich and famous, it seems as though taking the idea and making it his own is perfectly safe. Three years later, the resulting novel, Crib, has sold 2 million copies in nine months, and Jake has met wonderful Anna Williams, the program director of a radio show he visits while on tour in Seattle. But then he gets an email from TalentedTom@gmail.com proclaiming, “You are a thief,” and his new life threatens to unravel. Korelitz teasingly alternates the story of Jake’s desperate quest to find out who this anonymous accuser is and how he knows about Evan’s idea with chapters from Crib—just enough to stoke curiosity about what exactly this fabulous plot device is. Alert readers will guess some of the twists in advance as Jake follows the trail to Evan’s family home in Vermont and slowly realizes Evan didn’t invent this shocking story but lifted it from the real life of someone who is very, very angry about it; Korelitz plays fair and plants clues throughout. But only the shrewdest will anticipate the jaw-dropping final revelation. (Hint: Think about those Talented Mr. Ripley references.) Korelitz, who demonstrated in Admission (2009) and You Should Have Known (2014) that she knows how to blend suspense with complex character studies, falls a little short on the character end here; Jake is a sympathetic but slightly bland protagonist, and Anna has the only other fully developed personality. No one will care as the story hurtles toward the creepy climax, in the best tradition of Patricia Highsmith and other chroniclers of the human psyche’s darkest depths.

Gripping and thoroughly unsettling: This one will be flying off the shelves.

Pub Date: May 11, 2021

ISBN: 978-1-250-79076-7

Page Count: 336

Publisher: Celadon Books

Review Posted Online: Feb. 10, 2021

Kirkus Reviews Issue: March 1, 2021

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Murder most foul and mayhem most entertaining. Another worthy page-turner from a protean master.

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BILLY SUMMERS

The ever prolific King moves from his trademark horror into the realm of the hard-boiled noir thriller.

“He’s not a normal person. He’s a hired assassin, and if he doesn’t think like who and what he is, he’ll never get clear.” So writes King of his title character, whom the Las Vegas mob has brought in to rub out another hired gun who’s been caught and is likely to talk. Billy, who goes by several names, is a complex man, a Marine veteran of the Iraq War who’s seen friends blown to pieces; he’s perhaps numbed by PTSD, but he’s goal-oriented. He’s also a reader—Zola’s novel Thérèse Raquin figures as a MacGuffin—which sets his employer’s wheels spinning: If a reader, then why not have him pretend he’s a writer while he’s waiting for the perfect moment to make his hit? It wouldn’t be the first writer, real or imagined, King has pressed into service, and if Billy is no Jack Torrance, there’s a lovely, subtle hint of the Overlook Hotel and its spectral occupants at the end of the yarn. It’s no spoiler to say that whereas Billy carries out the hit with grim precision, things go squirrelly, complicated by his rescue of a young woman—Alice—after she’s been roofied and raped. Billy’s revenge on her behalf is less than sweet. As a memoir grows in his laptop, Billy becomes more confident as a writer: “He doesn’t know what anyone else might think, but Billy thinks it’s good,” King writes of one day’s output. “And good that it’s awful, because awful is sometimes the truth. He guesses he really is a writer now, because that’s a writer’s thought.” Billy’s art becomes life as Alice begins to take an increasingly important part in it, crisscrossing the country with him to carry out a final hit on an errant bad guy: “He flopped back on the sofa, kicked once, and fell on the floor. His days of raping children and murdering sons and God knew what else were over.” That story within a story has a nice twist, and Billy’s battered copy of Zola’s book plays a part, too.

Murder most foul and mayhem most entertaining. Another worthy page-turner from a protean master.

Pub Date: Aug. 3, 2021

ISBN: 978-1-982173-61-6

Page Count: 528

Publisher: Scribner

Review Posted Online: June 2, 2021

Kirkus Reviews Issue: June 15, 2021

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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