Children just graduating from nursery rhymes will find this a hoot.



Hey-diddle-diddle! Nursery-rhyme EMTs rescue stranded characters from “Mother Goose.” In verse!

All the animals stop to watch the ambulance zoom by. "Who's had an accident in Storyland today?" they wonder. Turns out it's the farmer's cow, who fell from a great height. A trio of paramedics patches her up, and she responds with a hearty "Moo!" The next day is even busier. They rescue Rock-a-Bye Baby, who fell from a bough. They bandage the nose of a poor washer maid who was bitten by a blackbird, a brother of the four and 20 that were baked into that pie. They race to the notorious wall to tend to the big egg Humpty Dumpty after his fall. The King's Horses and Men arrive while the ambulance crew is using jam and bread to cover Humpty's wounds. Next up is Little Boy Blue, whom they find beneath a haystack. He's none the worse for wear, but his mangled horn needs emergency repair, with hammers and “trumpet tape.” Willis' verse is bouncy without being overworked, and she puns with the best of them. Stewart's illustrations are appropriately bright and busy, offering plenty of side business for cognoscenti. The EMTs are human, two Caucasian and one black, and two of them are comfortably well-padded.

Children just graduating from nursery rhymes will find this a hoot. (Picture book. 3-7)

Pub Date: May 12, 2015

ISBN: 978-0-7636-7402-1

Page Count: 32

Publisher: Candlewick

Review Posted Online: March 3, 2015

Kirkus Reviews Issue: March 15, 2015

Did you like this book?

No Comments Yet

There’s always tomorrow.


A lyrical message of perseverance and optimism.

The text uses direct address, which the title- and final-page illustrations suggest comes from an adult voice, to offer inspiration and encouragement. The opening spreads reads, “Tonight as you sleep, a new day stirs. / Each kiss good night is a wish for tomorrow,” as the accompanying art depicts a child with black hair and light skin asleep in a bed that’s fantastically situated in a stylized landscape of buildings, overpasses, and roadways. The effect is dreamlike, in contrast with the next illustration, of a child of color walking through a field and blowing dandelion fluff at sunrise. Until the last spread, each child depicted in a range of settings is solitary. Some visual metaphors falter in terms of credibility, as in the case of a white-appearing child using a wheelchair in an Antarctic ice cave strewn with obstacles, as the text reads “you’ll explore the world, only feeling lost in your imagination.” Others are oblique in attempted connections between text and art. How does a picture of a pale-skinned, black-haired child on a bridge in the rain evoke “first moments that will dance with you”? But the image of a child with pink skin and brown hair scaling a wall as text reads “there will be injustice that will challenge you, and it will surprise you how brave you can be” is clearer.

There’s always tomorrow. (Picture book. 4-7)

Pub Date: Jan. 8, 2019

ISBN: 978-1-101-99437-5

Page Count: 32

Publisher: Dial Books

Review Posted Online: Nov. 12, 2018

Kirkus Reviews Issue: Dec. 1, 2018

Did you like this book?

No Comments Yet

See, hear, touch, taste, smell...and imagine poetry all around you.


A neighborhood walk unleashes the power of poetry.

Kiyoshi, a boy of Japanese heritage, watches his poet grandfather, Eto, write a poem in calligraphy. Intrigued, Kiyoshi asks, “Where do poems come from?” So begins a meditative walk through their bustling neighborhood, in which Kiyoshi discovers how to use his senses, his power of observation, and his imagination to build a poem. After each scene, Eto jots down a quick poem that serves as both a creative activity and an instruction for Kiyoshi. Eventually Kiyoshi discovers his own poetic voice, and together the boy and his grandfather find poems all around them. Spare, precise prose is coupled with the haiku Kiyoshi and his grandfather create, building the story through each new scene to expand Kiyoshi’s understanding of the origin of poems. Sensory language, such as flicked, whooshed, peeked, and reeled, not only builds readers’ vocabulary, but also models the vitality and precision of creative writing. The illustrations are just as thoughtfully crafted. Precisely rendered, the artwork is soft, warm, and captivating, offering vastly different perspectives and diverse characters who make up an apparently North American neighborhood that feels both familiar and new for a boy discovering how to view the world the way a poet does. Earth tones, coupled with bright yellows, pinks, and greens, draw readers in and encourage them to linger over each spread. An author’s note provides additional information about haiku.

See, hear, touch, taste, smell...and imagine poetry all around you. (Picture book. 4-7)

Pub Date: March 9, 2021

ISBN: 978-1-62014-958-4

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: Dec. 15, 2020

Kirkus Reviews Issue: Jan. 1, 2021

Did you like this book?

No Comments Yet