A splash of vibrancy about a self-taught master.

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A SPLASH OF RED

THE LIFE AND ART OF HORACE PIPPIN

This outstanding portrait of African-American artist Horace Pippin (1888-1946) allows Pippin’s work to shine—and his heart too.

“The colors are simple, such as brown, amber, yellow, black, white and green,” says pencil-lettered text on the front endpapers. These are Pippin’s own humble words. His art and life aren’t really simple at all, but here, they’re eminently accessible. On that spread, brush and pencil lie on overlapping off-white papers—lined, gridded, plain—decorated in pencil hatchings and a painted progression of hues between each primary color and its complement. From Pippin’s young childhood (working for pay to help his family; sketching with charcoal and paper scraps until he wins his first real art supplies in a contest), to his Army service in World War I, to the well-deserved fame that arrived only late in his life, he “couldn’t stop drawing.” When a military injury threatens Pippin’s painting ability, he tries wood burning—“[u]sing his good arm to move the hurt one”—and works his way back to painting. Sweet’s sophisticated mixed media (watercolor, gouache and collage), compositional framing, and both subdued and glowing colors pay homage to Pippin’s artistic style and sometimes re-create his pieces. Bryant’s text is understated, letting Pippin’s frequent quotations glimmer along with the art. Backmatter provides exceptional resources, including artwork locations.

A splash of vibrancy about a self-taught master. (historical note, author’s note, illustrator’s note, references) (Picture book/biography. 5-11)

Pub Date: Jan. 8, 2013

ISBN: 978-0-375-86712-5

Page Count: 40

Publisher: Knopf

Review Posted Online: Oct. 31, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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A picture book worth reading about a historical figure worth remembering.

THE AMAZING AGE OF JOHN ROY LYNCH

An honestly told biography of an important politician whose name every American should know.

Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.

A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)

Pub Date: April 1, 2015

ISBN: 978-0-8028-5379-0

Page Count: 50

Publisher: Eerdmans

Review Posted Online: Feb. 3, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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26 FAIRMOUNT AVENUE

            The legions of fans who over the years have enjoyed dePaola’s autobiographical picture books will welcome this longer gathering of reminiscences.  Writing in an authentically childlike voice, he describes watching the new house his father was building go up despite a succession of disasters, from a brush fire to the hurricane of 1938.  Meanwhile, he also introduces family, friends, and neighbors, adds Nana Fall River to his already well-known Nana Upstairs and Nana Downstairs, remembers his first day of school (“ ‘ When do we learn to read?’  I asked.  ‘Oh, we don’t learn how to read in kindergarten.  We learn to read next year, in first grade.’  ‘Fine,’ I said.  ‘I’ll be back next year.’  And I walked right out of school.”), recalls holidays, and explains his indignation when the plot of Disney’s “Snow White” doesn’t match the story he knows.  Generously illustrated with vignettes and larger scenes, this cheery, well-knit narrative proves that an old dog can learn new tricks, and learn them surpassingly well.  (Autobiography.  7-9)

Pub Date: April 1, 1999

ISBN: 0-399-23246-X

Page Count: 58

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1999

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