Crafted with honesty and wry comedic flair, these essays are both engaging and enraging.

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HOW TO MAKE A SLAVE AND OTHER ESSAYS

Powerful essays offers an incisive glimpse into life as a Black man in America.

In this collection, Walker demonstrates the keen intellect and direct style that characterized his acclaimed 2010 memoir, Street Shadows. In an account of how he was racially profiled by a security guard at Emerson College, where he teaches creative writing, the author deftly combines both humor and humanity without obscuring the impact of such experiences on him as a husband, father, son, and educator. “The stories I favor,” he writes, “are not only upsetting but also uplifting; they are rich with irony and tinged with humor; they are unique, in some way, and lend themselves to interesting digressions, and their protagonists always confront villains, even if not always with success—when I come into a race story with these components, I prefer to delay its telling, allowing it to breathe, so to speak, like a newly uncorked Merlot.” Walker candidly considers his struggles discussing race with his children; clearly depicts the racism embedded in restaurant seating arrangements; and expressively recounts the terrifying spiral of fear, anger, and distress he experienced after seeking medical attention for his son, who had suffered multiple seizures. The author’s no-nonsense, few-words-wasted approach lends itself just as readily to an account of the exhilaration he and his siblings felt while watching the The Jackson 5ive cartoon in their family’s religious household in 1971: “Breaking the Sabbath was a violation of God’s law, pretty significant stuff, but then so, too, was an all-Negro cartoon.” In the moving “Dragon Slayers,” Walker shows how James Alan McPherson, an instructor at the Iowa Writers’ Workshop, changed his outlook and approach as a writer. “My stories showed people being affected by drug addiction, racism, poverty, murder, crime, violence,” he writes, “but they said nothing about the spirit that, despite being confronted with what often amounted to certain defeat, would continue to struggle and aspire for something better.”

Crafted with honesty and wry comedic flair, these essays are both engaging and enraging.

Pub Date: Nov. 2, 2020

ISBN: 978-0-8142-5599-5

Page Count: 152

Publisher: Mad Creek/Ohio State Univ. Press

Review Posted Online: Sept. 1, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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A conversational, pleasurable look into McConaughey’s life and thought.

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GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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