Though Lahiri has previously earned greater renown for her short stories, this masterful novel deserves to attract an even...

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2013

  • New York Times Bestseller

  • National Book Award Finalist

THE LOWLAND

A tale of two continents in an era of political tumult, rendered with devastating depth and clarity by the Pulitzer Prize–winning author.

The narrative proceeds from the simplicity of a fairy tale into a complex novel of moral ambiguity and aftershocks, with revelations that continue through decades and generations until the very last page. It is the story of two brothers in India who are exceptionally close to each other and yet completely different. Older by 15 months, Subhash is cautious and careful, not prone to taking any risks, unlike his impetuous brother Udayan, the younger but the leader in their various escapades. Inseparable in their Calcutta boyhoods, they eventually take very different paths, with Subhash moving to America to pursue his education and an academic career in scientific research, while Udayan becomes increasingly and clandestinely involved in Indian radical militancy. “The chief task of the new party was to organize the peasantry,” writes the novelist (Unaccustomed Earth, 2008, etc.). “The tactic would be guerrilla warfare. The enemy was the Indian state.” The book's straightforward, declarative sentences will ultimately force the characters and the reader to find meaning in the space between them. While Udayan characteristically defies his parents by returning home with a wife he has impulsively courted rather than submitting to an arranged marriage, Subhash waits for his own life to unfold: “He wondered what woman his parents would choose for him. He wondered when it would be. Getting married would mean returning to Calcutta. In that sense he was in no hurry.” Yet crisis returns him to Calcutta, and when he resumes his life in America, he has a pregnant wife and, soon, a daughter. The rest of the novel spans more than four decades in the life of this family, shaped and shaken by the events that have brought them together and tear them apart—“a family of solitaries [that]...had collided and dispersed.”

Though Lahiri has previously earned greater renown for her short stories, this masterful novel deserves to attract an even wider readership.

Pub Date: Sept. 24, 2013

ISBN: 978-0-307-26574-6

Page Count: 352

Publisher: Knopf

Review Posted Online: Aug. 4, 2013

Kirkus Reviews Issue: Sept. 1, 2013

Did you like this book?

No Comments Yet

The phrase “tour de force” could have been invented for this audacious novel.

Reader Votes

  • Readers Vote
  • 11

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2015

  • Kirkus Prize
  • Kirkus Prize
    winner

  • National Book Award Finalist

A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Did you like this book?

A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Did you like this book?

more