Machado deserves wider familiarity among English readers, and this is a fine place to start reading him.

THE POSTHUMOUS MEMOIRS OF BRÁS CUBAS

Perhaps the greatest novel by the multifaced Brazilian writer receives a fresh, lively translation.

Machado (1839-1908) never met a literary form he could not master; his poems, plays, stories, newspaper articles, and other writings are all exemplary, and he is regarded as Brazil’s greatest writer more than a century after his death. This novel, published in 1881, at once lampoons and celebrates the liberal ideals of the country’s intelligentsia, and it’s told from an odd viewpoint: that of the corpse of a generally useless minor aristocrat. “I am not exactly an author recently deceased,” Brás Cubas declares at the opening, “but a deceased man recently an author.” In 160 mostly short episodes, all dedicated to the worm that took the first bite of his interred body, Brás Cubas outlines what he’s bothered to understand of the intellectual currents of his time; given the choice between praying for glory in the here and now or glory in the afterlife, for instance, he finds something else to do. One of those things is to go to Portugal and get a law degree without much enthusiasm for the project, instead acting up as “a wastrel, a superficial, troublemaking, and petulant student, given to adventures, following romanticism in practice and liberalism in theory.” Back home, Brás Cubas takes up with a married woman while yearning for a lost love, finding himself in a condition that he calls “the solidarity of human disgruntlement.” Not even Aristotle could foresee the mess he’s in, he concludes. Machado’s pages are punctuated by nicely philosophical apothegms (“What lies between life and death? A short bridge”) and fables, one of which explains the unceasing battle between reason and folly. Such passages read as if from classic texts, while his here-and-now reminiscences of lost loves and other missteps could have been written yesterday. All are highly entertaining.

Machado deserves wider familiarity among English readers, and this is a fine place to start reading him.

Pub Date: June 2, 2020

ISBN: 978-0-14-313503-6

Page Count: 368

Publisher: Penguin

Review Posted Online: April 13, 2020

Kirkus Reviews Issue: May 1, 2020

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An alternately farcical and poignant look at family bonds.

THE SUMMER PLACE

When a family convenes at their Cape Cod summer home for a wedding, old secrets threaten to ruin everything.

Sarah Danhauser is shocked when her beloved stepdaughter announces her engagement to her boyfriend, Gabe. After all, Ruby’s only 22, and Sarah suspects that their relationship was fast-tracked because of the time they spent together in quarantine during the early days of the pandemic. Sarah’s mother, Veronica, is thrilled, mostly because she longs to have the entire family together for one last celebration before she puts their Cape Cod summer house on the market. But getting to Ruby and Gabe’s wedding might prove more difficult than anyone thought. Sarah can’t figure out why her husband, Eli, has been so distant and distracted ever since Ruby moved home to Park Slope (bringing Gabe with her), and she's afraid he may be having an affair. Veronica is afraid that a long-ago dalliance might come back to bite her. Ruby isn’t sure how to process the conflicting feelings she’s having about her upcoming nuptials. And Sam, Sarah’s twin brother, is a recent widower who’s dealing with some pretty big romantic confusion. As the entire extended family, along with Gabe’s relatives, converges on the summer house, secrets become impossible to keep, and it quickly becomes clear that this might not be the perfect gathering Veronica was envisioning. If they make it to the wedding, will their family survive the aftermath? Weiner creates a story with all the misunderstandings and miscommunications of a screwball comedy or a Shakespeare play (think A Midsummer Night’s Dream). But the surprising, over-the-top actions of the characters are grounded by a realistic and moving look at grief and ambition (particularly for Sarah and Veronica, both of whom give up demanding creative careers early on). At times the flashbacks can slow down the story, but even when the characters are lying, cheating, and hiding from each other, they still seem like a real and loving family.

An alternately farcical and poignant look at family bonds.

Pub Date: May 10, 2022

ISBN: 978-1-5011-3357-2

Page Count: 432

Publisher: Atria

Review Posted Online: Feb. 9, 2022

Kirkus Reviews Issue: March 1, 2022

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A curious fetishization of outsiders, outlaws, and the down-and-out.

THE RAVAGED

This debut novel from Walking Dead actor Reedus follows three thematically connected yet narratively unrelated people as they journey to find themselves.

Hunter, a heavily tatted Iraq War vet and self-proclaimed gearhead, attacks his boss at the bike shop after catching him kicking a dog. “Hunter was old school,” the narrator says, rough-hewn but with strong moral fiber and a heart of gold. After learning his father died in a “mysterious house fire” in California, Hunter hops on his Buell S1 motorcycle alongside his buddies Nugget and Itch for a cross-country haul to execute the will. Meanwhile, a wealthy 65-year-old executive named Jack is mugged while traveling aimlessly through South America, neither the first nor the last of his hardships. Jack abandoned his cushy, bloodless office lifestyle after his dying mother told him to “run and never look back,” words he continuously labors to unpack. Finally, Anne, an abused teenage girl in Tennessee, steals her father’s savings and .38 revolver and runs away from home, clobbering her brother upside the head with a cast-iron skillet when he tries to stop her. She connects with her friend Trot, and they join a community of train-hoppers. Co-written by Bill, the story reads like a pastiche of Robert Pirsig’s Zen and the Art of Motorcycle Maintenance and Jack Kerouac’s On the Road, the latter of which is name-dropped as “great” by multiple characters. Though occasionally hitting some beautiful imagery of the American heartland, Reedus falls victim to implausible dialogue—“Fabiola, you are reading me like a stock report,” Jack says—and overcooked language: “flesh the color of a high-dollar medium-roast coffee bean.” Frequently wordy summaries do little to develop the thinly sketched characters; we know nearly as much about them on Page 25 as on Page 250.

A curious fetishization of outsiders, outlaws, and the down-and-out.

Pub Date: May 10, 2022

ISBN: 978-1-09-416680-3

Page Count: 292

Publisher: Blackstone

Review Posted Online: March 16, 2022

Kirkus Reviews Issue: April 1, 2022

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