In the same sunny, luminous colors he used for All Night, All Day (p. 534), Bryan presents nine more spirituals, linking them with figures from Noah ("Didn't It Rain?") to Jonah ("Wake Up! Jonah"). Brief commentaries superimposed on the paintings that face each spiritual set them in context and in the biblical genealogy ("Jacob was one of Abraham's grandsons"). Ornamental borders further diminish the space allotted to the illustrations, resulting in a somewhat cluttered effect. These double spreads don't have the handsome sweep of those in the earlier book, but they are decorative and the paintings are lovely in detail: intimate, tender moments like David singing to Saul, or Daniel's appealingly pensive lions. Another fine tribute to the African-American heritage. Piano arrangements by John Andrew Ross; notes for musicians. (Nonfiction. 4+)
Pub Date: Nov. 4, 1991
ISBN: 0-689-50494-2
Page Count: 32
Publisher: McElderry
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 1991
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Imagination soars—quite literally—when a little girl follows her own set of rules.
Every year Oak Hill School has a go-kart race called the Going Places contest. Students are given identical go-kart kits with a precise set of instructions. And of course, every single kart ends up exactly the same. Every one, that is, except Maya’s. Maya is a dreamy artist, and she would rather sketch birds in her backyard than get caught up in the competition. When she finally does start working, she uses the parts in the go-kart box but creates something completely different. No one ever said it had to be a go-kart. Maya’s creative thinking inspires Rafael, her neighbor (and the most enthusiastic Going Places contestant), to ask to team up. The instructions never say they couldn’t work together, either! An ode to creativity and individuality to be sure, but the Reynolds brothers are also taking a swipe at modern education: Endless repetition and following instructions without question create a culture of conformity. Hopefully now, readers will see infinite possibility every time the system hands them an identical go-kart box.
Not astonishingly go-out-and-buy-it-at-graduation inspirational, but all it takes is one seed of change to be planted. (Picture book. 4-8)Pub Date: March 18, 2014
ISBN: 978-1-4424-6608-1
Page Count: 40
Publisher: Atheneum
Review Posted Online: Jan. 15, 2014
Kirkus Reviews Issue: Feb. 1, 2014
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A young tennis champion becomes the target of revenge.
In this sequel to Legacy and the Queen (2019), Legacy Petrin and her friends Javi and Pippa have returned to Legacy’s home province and the orphanage run by her father. With her friends’ help, she is in training to defend her championship when they discover that another player, operating under the protection of High Consul Silla, is presenting herself as Legacy. She is so convincing that the real Legacy is accused of being an imitation. False Legacy has become a hero to the masses, further strengthening Silla’s hold, and it becomes imperative to uncover and defeat her. If Legacy is to win again, she must play her imposter while disguised as someone else. Winning at tennis is not just about money and fame, but resisting Silla’s plans to send more young people into brutal mines with little hope of better lives. Legacy will have to overcome her fears and find the magic that allowed her to claim victory in the past. This story, with its elements of sports, fantasy, and social consciousness that highlight tensions between the powerful and those they prey upon, successfully continues the series conceived by late basketball superstar Bryant. As before, the tennis matches are depicted with pace and spirit. Legacy and Javi have brown skin; most other characters default to White.
A worthy combination of athletic action, the virtues of inner strength, and the importance of friendship. (Fantasy. 9-12)Pub Date: Aug. 24, 2021
ISBN: 978-1-949520-19-4
Page Count: 224
Publisher: Granity Studios
Review Posted Online: July 28, 2021
Kirkus Reviews Issue: Aug. 15, 2021
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