In any consideration of noteworthy lives, Baker stands tall and sparkles as a determined, brave and singular woman of color.

JAZZ AGE JOSEPHINE

DANCER, SINGER—WHO'S THAT, WHO? WHY, THAT'S MISS JOSEPHINE BAKER TO YOU!

The African-American singer and dancer was idolized in France because of her extraordinary talent as a stage performer and scorned in the United States because of her color.

Winter recounts Baker’s desperately poor childhood in St. Louis, her breakthrough into show business in New York and her move to Paris at the height of the Roaring Twenties in flight from racial prejudice. There, she dazzled audiences with her risqué musical routines and colorfully scanty costumes, especially the famous fake-banana skirt. Winter, a prolific author of picture-book biographies, uses rhyming couplets and verbal riffs, accentuated by lively typeface, for a highly energetic telling. “It’s the Shake, / the Shimmy, / and the Mess Around! / No one sleeps / when she’s in town!” Priceman, a Caldecott Honor recipient, uses her trademark swirling lines and bright colors in inks and gouache to show off Baker’s fantastic moves at almost cinematic speed. Not in the text but in the author’s note is information about Baker during World War II, when she worked for the French Resistance. That grateful country gave her medals and buried her with honors. More recently, Diana Ross and Beyoncé have copied her moves.

In any consideration of noteworthy lives, Baker stands tall and sparkles as a determined, brave and singular woman of color. (author’s note) (Picture book/biography. 5-10)

Pub Date: Jan. 3, 2012

ISBN: 978-1-4169-6123-9

Page Count: 40

Publisher: Atheneum

Review Posted Online: Dec. 20, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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Celebrate a truly accepting multicultural character.

LOLA LEVINE IS NOT MEAN!

From the Lola Levine series , Vol. 1

Brown introduces a smart, young protagonist with a multicultural background in this series opener for chapter-book readers.

Second-grader Lola Levine is half-Peruvian and half-Jewish; she is a skilled soccer player, a persuasive writer, and aspires to own a cat in the near future should her parents concede. During a friendly recess soccer match, Lola, playing goalie, defends an incoming ball by coming out of her box and accidentally fouls a classmate. And so Lola acquires the rhyming nickname Mean Lola Levine. Through Lola’s first-person narration, readers see clearly how her savvy and creativity come from her family: Dad, who paints, Mom, who writes, and a fireball younger brother. She also wears her bicultural identity easily. In her narration, her letters to her friends, and dialogue, Lola easily inserts such words as diario, tía, bubbe, and shalom. For dinner, the family eats matzo ball soup, Peruvian chicken, and flan. Interspersed throughout the story are references to all-star soccer athletes, from Brazilian master Pelé to Mia Hamm, Briana Scurry, and David Beckham. Dominguez’s black-and-white illustrations are cheery and appealing, depicting a long-haired Caucasian father and dark-skinned, black-haired mother. Typefaces that emulate penmanship appropriately differ from character to character: Lola’s is small and clean, her mother’s is tall and slanted, while Juan’s, the injured classmate, is sloppy and lacks finesse.

Celebrate a truly accepting multicultural character. (Fiction. 6-10)

Pub Date: Nov. 3, 2015

ISBN: 978-0-316-25836-4

Page Count: 96

Publisher: Little, Brown

Review Posted Online: Aug. 12, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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