Young researchers eager to know more about outlaw Belle Starr and adventurer and philanthropist Nellie Cashman might start...
by Jonah Winter & illustrated by Susan Guevara ‧ RELEASE DATE: Oct. 15, 2011
A good idea by a fine author and illustrator goes somewhat awry in this middle-grade collective biography of 15 women of the Old West.
Winter gets in trouble right away with the introduction, in which he tries and fails to define the Wild West, with sentences like “There weren’t too many women in the Wild West, so the few who were there had to be really wild to compete with all those raucous men.” The women chosen are fascinating and often little known: the formerly enslaved Mary Fields, who drove a stagecoach for the U.S. Postal Service and was just its second woman employee; Lola Montez and Lotta Crabtree, wildly popular Gold Rush entertainers; and The-Other-Magpie, a Crow woman warrior. Though no doubt intended to be rollicking and engaging, the prose instead often seems patronizing or flip. Is it important that both Esther Morris, Wyoming suffragist and judge, and Carry Nation, anti-alcohol crusader, were both six feet tall and about 180 pounds? The biography of Santa Fe casino owner "La Tules" ends by saying that Mexico "continues to bring us Mexicans." Guevara notes that all but two of the sepia-and-black–accented watercolor portraits were taken directly from photographs of their subjects.
Young researchers eager to know more about outlaw Belle Starr and adventurer and philanthropist Nellie Cashman might start here, but they will have to move on to more reliable sources. (timeline, map) (Collective biography. 9-12)Pub Date: Oct. 15, 2011
ISBN: 978-0-8234-1601-1
Page Count: 40
Publisher: Holiday House
Review Posted Online: Aug. 31, 2011
Kirkus Reviews Issue: Sept. 15, 2011
Categories: CHILDREN'S HISTORY
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by Jonah Winter ; illustrated by Jeanette Winter ‧ RELEASE DATE: March 31, 2020
In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.
The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?
Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)Pub Date: March 31, 2020
ISBN: 978-1-5344-3077-8
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Categories: CHILDREN'S HISTORY | CHILDREN'S SCIENCE & TECHNOLOGY
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by Michael Garland ; illustrated by Michael Garland ‧ RELEASE DATE: March 12, 2019
A custom-built, bulletproof limo links two historical figures who were pre-eminent in more or less different spheres.
Garland admits that a claim that FDR was driven to Congress to deliver his “Day of Infamy” speech in a car that once belonged to Capone rests on shaky evidence. He nonetheless uses the anecdote as a launchpad for twin portraits of contemporaries who occupy unique niches in this country’s history but had little in common. Both were smart, ambitious New Yorkers and were young when their fathers died, but they definitely “headed in opposite directions.” As he fills his biographical sketches with standard-issue facts and has disappointingly little to say about the car itself (which was commissioned by Capone in 1928 and still survives), this outing seems largely intended to be a vehicle for the dark, heavy illustrations. These are done in muted hues with densely scratched surfaces and angled so that the two men, the period backgrounds against which they are posed, and the car have monumental looks. It’s a reach to bill this, as the author does, a “story about America,” but it does at least offer a study in contrasts featuring two of America’s most renowned citizens. Most of the human figures are white in the art, but some group scenes include a few with darker skin.
The car gets shortchanged, but comparing the divergent career paths of its (putative) two riders may give readers food for thought. (timeline, bibliography) (Picture book/biography. 10-12)Pub Date: March 12, 2019
ISBN: 978-0-88448-620-6
Page Count: 64
Publisher: Tilbury House
Review Posted Online: Jan. 15, 2019
Kirkus Reviews Issue: Feb. 1, 2019
Categories: CHILDREN'S BIOGRAPHY & MEMOIR | CHILDREN'S HISTORY
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