A highly satisfying mix of mystery and character portrait, revealing the constrained heart beneath the public carapace.


An exceptional work of historical fiction about one of the key figures in the development of 19th-century New York City.

In November 1903, on Friday the 13th, Andrew Haswell Green was shot dead in front of his Park Avenue home. Largely forgotten now, he had been essential to the establishment of many of the city’s parks, museums, and bridges and to the linking of its five boroughs into Greater New York. As he did in High Dive (2016), Lee sets up two narratives: one following highlights of Green’s life up to the murder and one on the police investigation afterward. Born in 1820 into a Massachusetts farming family, young Green realizes that he doesn’t grip an ax the right way, that he has “no interest in girls.” At 14, he is seen almost kissing another boy. (Present-day readers may find the allusions to his sexuality euphemistic or otherwise indirect, but that is period appropriate and could mean the historical record lacks more-explicit references.) Shortly after that incident, Green is sent to New York to work in a general store, where future New York Gov. Samuel Tilden appears one day seeking pills for indigestion. They develop a lifelong friendship that will lead to Green’s many civic achievements. Meanwhile, a police inspector stumbles on a clue to the shooting after visiting a bordello whose madam is linked to the case. She provides one of the book’s most colorful sections (and its only significant female character), and she and the inspector dominate the novel’s lighter moments. There also are two very different strands of suspense: in the whodunit, which hinges on an accepted haven for straight male urges, and in the biography, with its question of how a man deals with feelings that don’t fit into the conventional narrative of the time.

A highly satisfying mix of mystery and character portrait, revealing the constrained heart beneath the public carapace.

Pub Date: June 15, 2021

ISBN: 978-0-525-65849-8

Page Count: 304

Publisher: Knopf

Review Posted Online: March 17, 2021

Kirkus Reviews Issue: April 1, 2021

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A novel of capacious intelligence and plenty of page-turning emotional drama.


Two erudite Irishwomen struggle with romance against the backdrop of the Trump/Brexit years.

Eileen and Alice have been friends since their university days. Now in their late 20s, Eileen works as an editorial assistant at a literary magazine in Dublin. Alice is a famous novelist recovering from a psychiatric hospitalization and staying in a large empty rectory on the west coast of Ireland. Since Alice’s breakdown, the two have kept in touch primarily through lengthy emails that alternate between recounting their romantic lives and working through their angst about the current social and political climate. (In one of these letters, Eileen laments that the introduction of plastic has ruined humanity’s aesthetic calibration and in the next paragraph, she’s eager to know if Alice is sleeping with the new man she’s met.) Eileen has spent many years entangled in an occasionally intimate friendship with her teenage crush, a slightly older man named Simon who is a devout Catholic and who works in the Irish Parliament as an assistant. As Eileen and Simon’s relationship becomes more complicated, Alice meets Felix, a warehouse worker who is unsure what to make of her fame and aloofness. In many ways, this book, a work of both philosophy and romantic tragicomedy about the ways people love and hurt one another, is exactly the type of book one would expect Rooney to write out of the political environment of the past few years. But just because the novel is so characteristic of Rooney doesn’t take anything away from its considerable power. As Alice herself puts it, “Humanity on the cusp of extinction [and] here I am writing another email about sex and friendship. What else is there to live for?”

A novel of capacious intelligence and plenty of page-turning emotional drama.

Pub Date: Sept. 7, 2021

ISBN: 978-0-374-60260-4

Page Count: 368

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 16, 2021

Kirkus Reviews Issue: July 1, 2021

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A young man has been stabbed to death on a houseboat...that much is clear.

Hawkins' third novel, after her smash debut with The Girl on the Train (2015) and a weak follow-up with Into the Water (2017), gets off to a confusing start. A series of vignettes introduce numerous characters—Irene, Deidre, Laura, Miriam, Daniel (dead), Carla, Theo, Angela (dead)—all of whom live or lived in a very small geographical area and have overlapping connections and reasons to be furious at each other. We can all agree that the main question is who killed Daniel, the 23-year-old on the houseboat, but it is soon revealed that his estranged mother had died just a few weeks earlier—a drunk who probably fell, but maybe was pushed, down the stairs—and his cousin also fell to his death some years back. Untimely demise runs in the family. The highlight of these goings-on is Laura, a tiny but ferocious young woman who was seen running from Daniel's boat with blood on her mouth and clothes the last night he was alive. Physically and mentally disabled by an accident in her childhood, Laura is so used to being accused and wronged (and actually she is quite the sticky fingers) that she's not surprised when she's hauled in for Daniel's murder, though she's pretty sure she didn't do it. The secondary crimes and subplots include abduction, sexual assault, hit-and-run, petty larceny, plagiarism, bar brawling, breaking and entering, incest, and criminal negligence, and on top of all this there's a novel within a novel that mirrors events recalled in flashback by one of the characters. When Irene reads it, she's infuriated by "all the to-ing and fro-ing, all that jumping around in the timeline....Just start at the beginning, for god's sake. Why couldn't people just tell a story straight any longer, start to finish?" Hmmmmm.


Pub Date: Aug. 31, 2021

ISBN: 978-0-7352-1123-0

Page Count: 320

Publisher: Riverhead

Review Posted Online: June 2, 2021

Kirkus Reviews Issue: June 15, 2021

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