Fiendish monsters—and everyone else—rejoice! (Picture book. 3-7)

QUIT CALLING ME A MONSTER!

A grand return to a world of endearing monsters from the duo behind I Will Chomp You! (2015).

Readers meet an immaculately dressed, wildly hairy monster who has more than its share of woes. “Quit calling me a monster! Just…stop it, right this minute!” John once again employs direct address to let the monster air its grievances. At first, the scraggly protagonist attempts to prove to readers that it's not so monstrous. Sure, it does have all the trademarks of a monster, with its “huge, toothy smile that glows in the dark” and “crazy hair” and “wild eyes.” However, looks can deceive. As the monster gradually rallies against stereotypes and directs its ire toward readers, the book plumbs even greater depths of humor. “It’s not like I ever call you names, do I?” Shea’s colorful, expressive illustrations enhance the theatrical antics of the monster through the twitch of a grin or eye, making the monster seem as approachable as it is cranky. Still, the good old monster can’t seem to shake the label. After admitting that, OK, it is a monster, it instead opts for a different approach, introducing itself to readers. “My name is Floyd. Floyd Peterson.” After all, Floyd Peterson sounds like someone no one would mind meeting.

Fiendish monsters—and everyone else—rejoice! (Picture book. 3-7)

Pub Date: Aug. 23, 2016

ISBN: 978-0-385-38990-7

Page Count: 40

Publisher: Random House

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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Young readers will hunt out this enjoyable crowd pleaser again and again.

WE'RE GOING ON A GOON HUNT

Hunt for a bear? That’s so yesterday.

On a spooky Halloween night, we’re hunting for…a green GOON. We’re not really scared. Let’s start in a pumpkin patch. We can’t go over or under it, so we’ll just go through it. We’ll do the same in other likely goon hideouts: a swamp, a tunnel, a forest, a graveyard, and, finally, a haunted house. In this atmospheric “petrifying parody” of We’re Going on a Bear Hunt, a dad and his four kids, dressed in Halloween finery and accompanied by their costumed pup, search for the elusive quarry. They become more frightened (particularly dad and pooch, even from the outset) as they proceed along the increasingly murky path—except for the youngest, unicorn-outfitted child, who squeals a delighted welcome to whatever creature unexpectedly materializes. As in the classic original, evocative sound effects (“Gurgle hiss, gurgle hiss, gurgle hiss!”) ring out as the quintet moves through each hazard. Unsurprisingly, the group locates the goon, forcing them to retrace their steps home in a frenzied hurry, odd noises and all. They reach safety to discover…uh-oh! Meanwhile, someone’s missing but having a ball! Even readers who’ve never read or heard about the bear expedition will appreciate this clever, comical, fast-paced take. The colorful line illustrations are humorously brooding and sweetly endearing, with the family (all members present White) portrayed as growing steadily apprehensive. (This book was reviewed digitally with 8.5-by-20.8-inch double-page spreads viewed at 74.6% of actual size.)

Young readers will hunt out this enjoyable crowd pleaser again and again. (Picture book. 3-7)

Pub Date: Aug. 18, 2020

ISBN: 978-1-984813-62-6

Page Count: 40

Publisher: Putnam

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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This magical wisp of a story has an imaginative message for both planners and improvisers.

JULIA'S HOUSE MOVES ON

From the Julia's House series

Julia decides to pack up and move her House for Lost Creatures, creating a host of problems with unexpected results.

Julia has taken in a cacophony of lost creatures: dwarves, trolls, and goblins, a singular rarity of a mermaid, and a patchwork cat, among others. But now, the house feels ready for a move. As the ghost starts to fade and the mermaid languishes, Julia puts her plan into action—packing books and stacking boxes. The move quickly turns into a series of catastrophes. Trying to retain the facade of control, Julia is dismayed to see her plans making things worse. Knowledge of the previous title, Julia’s House for Lost Creatures (2014), is a helpful introduction, as Hatke turns the solution of the first book into the problem for this one. With skillful pacing, the story has messages for both planners and creatives. The problems seem beyond resolution, keeping readers in gleeful suspended tension. While the first book introduced readers to the gnomish folletti, a hedgehoglike ghillie comes to a dramatic rescue here. There are two disparate messages in one story: Kindness will be returned, and it is OK to not have a plan. Connecting them together are lush illustrations that stretch the mind and add details to mythic beasts. Julia presents white. (This book was reviewed digitally with 8.5-by-22-inch double-page spreads viewed at 25% of actual size.)

This magical wisp of a story has an imaginative message for both planners and improvisers. (Picture book. 3-7)

Pub Date: Sept. 29, 2020

ISBN: 978-1-250-19137-3

Page Count: 40

Publisher: First Second

Review Posted Online: June 16, 2020

Kirkus Reviews Issue: July 1, 2020

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