A nonfictional footnote to a brilliant career in fiction.

SMALL MEMORIES

A MEMOIR

A slim, elliptical, often poetic memoir by the late Portuguese winner of the Nobel Prize for Literature.

The opening pages of this posthumously published memoir of early childhood by Saramago (The Elephant’s Journey, 2010, etc.) are so rapturously enthralling that they set a standard the rest of the narrative—mainly a series of anecdotes, seemingly random and arbitrary—cannot fully sustain. “Only I knew, without knowing I did, that on the illegible pages of destiny and in the blind meanderings of chance it had been written that I would one day return to Azinhaga to finish being born,” he writes of his birth in a peasant village before he moved with his family to Lisbon before his second birthday—after that he spent time alternating between the two (the writing here mainly and more lovingly portrays the country than the city). Though an early and avid reader with an eye for significant detail, his “silent, secret, solitary self” as a boy gave little hint of the literary master he would become. His mother remained illiterate throughout his life, as were the maternal grandparents to whom he so often returned. Without apparent thematic focus—other than the vagaries of memory and perhaps the ambiguities of boyhood innocence—the memoir hopscotches chronologically through his experiences with dogs, horses and crops; his schooling; his initiation into sexual arousal; and his family. He reveals that he’d initially attempted a volume with the more ambitious title, The Book of Temptations, before realizing that his reminiscences were more modest, “the small memories of when I was small.”

A nonfictional footnote to a brilliant career in fiction.

Pub Date: May 11, 2011

ISBN: 978-0-15-101508-5

Page Count: 192

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Feb. 1, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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