A wry, sardonic romp made even more vibrant by its various satires and absurdities.

I'LL SELL YOU A DOG

A novel of retirement, regret, and revolution in Mexico City.

Teo, short for Teodoro, which may or may not be his real name, lives in an old, broken-down building where the cockroaches run rampant. Teo is approaching 80. Every day he drinks. He drinks either in the bar on the corner; with the greengrocer, Juliet, whom he calls Juliette; or in his room, with a Mormon missionary named Willem (whom he calls Villem) or with a young revolutionary named Mao, who may not be a revolutionary and may not be named Mao. Teo either keeps track of his drinks, or he loses count. “Maybe if you didn’t drink so much…” is a refrain he hears often. Teo had a long career as a taco seller in Mexico City, but before that he was an aspiring artist. Then he gave up his ambition to support his mother, who’d been abandoned by his father and began taking in stray dogs, to whom she bestowed names like Market and Eighty-Three, for the place and the year, respectively, she found them. Now Teo carries around a copy of Adorno’s Aesthetic Theory, from which he reads passages to telemarketers and anyone else who annoys him. He carries on an ever escalating battle with the “literary salon” that meets on the first floor of his building. When the salon kidnaps Teo’s Aesthetic Theory, he takes revenge on their bulky copies of In Search of Lost Time. Throughout this lark of a novel, there are many appearances by dogs, some of whom die, ignominiously, by strangling, some of whom are sold, illegally, as taco meat, and some of whom roam the streets in lonely, mangy packs. This is the third novel by Villalobos (Quesadillas, 2014, etc.), and it should help establish his reputation as a maniacally witty writer of satire and absurdity. He takes on Mexican history, literary theory, and the just-scraping-by lives of the 99 percent, all while telling a damn good story. He has a novelist’s eye for detail, a painter’s for image, and a poet’s for turn of phrase. Remember those cockroaches? They “take advantage” of the building’s elevator to ride “downstairs to visit their associates.”

A wry, sardonic romp made even more vibrant by its various satires and absurdities.

Pub Date: Aug. 9, 2016

ISBN: 978-1-9082-7674-2

Page Count: 256

Publisher: & Other Stories

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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A clever and current book about a complicated woman and her romantic relationships.

CONVERSATIONS WITH FRIENDS

The story of the entangled affairs of a group of exceedingly smart and self-possessed creative types.

Frances, an aloof and intelligent 21-year-old living in Dublin, is an aspiring poet and communist. She performs her spoken-word pieces with her best friend and ex-lover, Bobbi, who is equally intellectual but gregarious where Frances is shy and composed where Frances is awkward. When Melissa, a notable writer and photographer, approaches the pair to offer to do a profile of them, they accept excitedly. While Bobbi is taken with Melissa, Frances becomes infatuated by her life—her success, her beautiful home, her actor husband, Nick. Nick is handsome and mysterious and, it turns out, returns Frances’ attraction. Although he can sometimes be withholding of his affection (he struggles with depression), they begin a passionate affair. Frances and Nick’s relationship makes difficult the already tense (for its intensity) relationship between Frances and Bobbi. In the midst of this complicated dynamic, Frances is also managing endometriosis and neglectful parents—an abusive, alcoholic father and complicit mother. As a narrator, Frances describes all these complex fragments in an ethereal and thoughtful but self-loathing way. Rooney captures the mood and voice of contemporary women and their interpersonal connections and concerns without being remotely predictable. In her debut novel, she deftly illustrates psychology’s first lesson: that everyone is doomed to repeat their patterns.

A clever and current book about a complicated woman and her romantic relationships.

Pub Date: July 11, 2017

ISBN: 978-0-451-49905-9

Page Count: 304

Publisher: Hogarth

Review Posted Online: April 18, 2017

Kirkus Reviews Issue: May 1, 2017

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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