In this bighearted novel, family bonds heal a woman's grief.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2020

  • IndieBound Bestseller


One of the best chroniclers of sisterhood returns with a funny, moving novel of loss and love.

This is the first novel in 15 years from Alvarez (How the García Girls Lost Their Accents, 1991, etc.), and she builds on one of her strengths, depicting the complex relationships among sisters. Her main character is Antonia Vega, who, as the story begins, is stunned with grief. A year before, she and her husband, Sam, were driving separately to a restaurant dinner near their Vermont home to celebrate her retirement when he suffered a fatal aneurysm. Bereft of a beloved spouse and done with a rewarding career as a college professor and novelist, she’s adrift and “has withdrawn from every narrative, including the ones she makes up for sale.” Then need comes knocking in the form of an undocumented Mexican worker at her neighbor’s dairy farm. Antonia emigrated long ago from the Dominican Republic, and young Mario seeks her help (and translation skills) in reuniting with his fiancee, Estela, who is also undocumented and stranded in Colorado. Antonia is hesitant. Sam, a doctor who was widely beloved for his volunteer work and empathy, would have done all he could, she knows: “He was the bold one. She, the reluctant activist….” In the meantime, Antonia sets off to celebrate her 66th birthday with her three sisters. The two younger ones, Tilly and Mona, are as contentious and loving as ever, Tilly a font of oddly apropos malapropisms such as “That bitch was like a wolf in cheap clothing!” But all of them are worried about their oldest sister, Izzy, a retired therapist who recently has been behaving erratically. When her phone goes dead and she fails to arrive for the party, the other sisters swing into action. Izzy’s fate will take surprising turns, as will the relationship between Mario and Estela, as Antonia tries to figure out what she can do for all of them and for herself. Alvarez writes with knowing warmth about how well sisters know how to push on each other’s bruises and how powerfully they can lift each other up.

In this bighearted novel, family bonds heal a woman's grief.

Pub Date: April 7, 2020

ISBN: 978-1-64375-025-5

Page Count: 272

Publisher: Algonquin

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

Did you like this book?

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.


Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

Did you like this book?

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...


Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

Did you like this book?