Deft, page-turning, and fresh as the latest college admissions gossip.

ADMISSION

Ripped from the headlines of the 2019 Varsity Blues admissions scandal.

Seventeen-year-old Chloe Berringer is the wealthy, white daughter of Joy Fields, beloved TV sitcom star. An indifferent student, Chloe attends private school and is stunned by the revelation that her entire application was doctored. Chloe wrestles with guilt, shame, anger, brutal social media responses, and frayed family relationships following the revelation of her parents’ cheating and bribery. The intersections of race, class, and privilege are explored primarily through Chloe’s relationship with her best friend, Shola, a Nigerian American girl on scholarship at the school. The chapters alternate between the present day, beginning when her mother is arrested, and the point leading up to the arrest, starting three weeks into her senior year. Knowing that there were dozens of real-life students coping with similar crimes and the deep betrayal of their trust in their parents makes Chloe’s tale both heartbreaking and thought-provoking. Believable subplots focus on her love interest (a biracial Asian Indian/white boy), undocumented immigrants (through Chloe’s mentoring of a young El Salvadoran boy), and the pain of drug addiction (through her older half brother). While not entirely one-dimensional, supporting characters who do not share Chloe's racial and financial privilege sometimes seem to be present as devices to support her awakening.

Deft, page-turning, and fresh as the latest college admissions gossip. (Fiction. 13-18)

Pub Date: Dec. 1, 2020

ISBN: 978-1-984893-62-8

Page Count: 352

Publisher: Delacorte

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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Sweet, honest, and filled with personality.

SHE GETS THE GIRL

Many begin college with hopes of personal reinvention, and Alex Blackwood and Molly Parker are no exception.

Apparently opposite in every way, both girls nevertheless arrive for their freshman year at the University of Pittsburgh with the same goal in mind: to fundamentally change the way others perceive them and get their dream girls. Easy-peasy. Molly, whose mom is a transracial adoptee from Korea and whose father is assumed White, was socially anxious in high school. She worries that her close friendship with her mother holds her back. Willowy, blond Alex, who is implied White, has never once found herself at a loss in a social situation, and yet her fairy-tale story of adolescent beauty and wit is tempered by having a single mom whose struggles with alcohol abuse meant shouldering responsibilities far beyond her years. Utilizing tried and true tropes, married couple Lippincott and Derrick cut right to the heart of the matter when it comes to the mysteries of romance. Queerness itself is never the motivator of the drama, and gratifyingly, both girls find in one another the means to explore and unpack complexities of life unrelated to their sexualities. Nothing is made simplistic—not Alex’s relationship to self-expression and conventional beauty standards, nor Molly’s experiences of culture and community in a world that has expectations of her based on her racial identity.

Sweet, honest, and filled with personality. (Romance. 14-18)

Pub Date: April 5, 2022

ISBN: 978-1-5344-9379-7

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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