Superb cultural history, pulling together many strands of literary, judicial and societal developments into a smoothly woven...

THE MOST DANGEROUS BOOK

THE BATTLE FOR JAMES JOYCE’S ULYSSES

Modernism’s “battle against an obsolete civilization,” encapsulated in the struggle to publish one taboo-shattering masterpiece.

In his sharp, well-written debut, Birmingham (History and Literature/Harvard Univ.) reminds us that the artistic experiments of James Joyce (1882-1941) were part of a larger movement to throw off Victorian social, sexual and political shackles. Indeed, authorities in England, Ireland and America were quite sure that Joyce’s shocking fiction was, like the feminists, anarchists, socialists and other reprobates who presumably read it, an attempt to undermine the moral foundations of Western society. Guilty as charged, replied the diverse group that supported the impoverished Joyce as he struggled to write Ulysses while wandering across Europe during and after World War I, plagued by increasingly grim eye problems (described here in gruesome detail). Ezra Pound advocated for Joyce with his literary contacts on both sides of the Atlantic, and Dora Marsden and Harriet Weaver gave him his first break in the English avant-garde magazine The Egoist. American iconoclasts Margaret Anderson and Jane Heap risked punitive fines and jail terms to publish chapters of Ulysses in The Little Review, adopting a defiant stance that dismayed lawyer John Quinn, who had scant sympathy for radicals but thought Joyce was a genius and that his book must be defended. The clandestine edition of Ulysses published in Paris by Sylvia Beach of Shakespeare and Company in 1922 became the identifying badge of cultural insurgents everywhere and the target of confiscation and burnings by censors until Judge John Woolsey’s landmark 1933 decision permitted the novel to be sold in the U.S. and dramatically revised the legal concept of obscenity. Birmingham makes palpable the courage and commitment of the rebels who championed Joyce, but he grants the censors their points of view as well in this absorbing chronicle of a tumultuous time.

Superb cultural history, pulling together many strands of literary, judicial and societal developments into a smoothly woven narrative fabric.

Pub Date: June 16, 2014

ISBN: 978-1-59420-336-7

Page Count: 432

Publisher: Penguin Press

Review Posted Online: April 10, 2014

Kirkus Reviews Issue: May 1, 2014

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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