A sweet morality tale of cosmic misadventures and sibling rivalry.

SUN AND MOON SISTERS

After jealousy dims their affections, sisters learn to let love shine in this original tale that is redolent of folklore.

Sun and Moon, nearly identical apart from the details of their matching red dresses, argue repeatedly over which of them is more beloved by humans. To settle this debate once and for all, the pale-skinned, dark-eyed, rosy-cheeked little girls with silvery locks decide to trade places. The results are as expected, with weary children finally begging Moon to offer them respite from the blistering heat, and then, when dawn does not come, desperately wishing for Sun to return to warm the Earth. The children deliver a message to the bewildered duo, explaining that they matter equally and should focus on performing their respective duties, after which all is once again right both on Earth and in the heavens. In this book translated from the French, some illustrations hint at the author/illustrator’s Vietnamese origins, for example showing a dark-haired girl fishing with a bamboo pole and a child wearing a conical Southeast Asian–style hat. The story unfolds predictably in the manner of traditional pourquoi tales, and the prose is plain and serviceable. It is the illustrations that stand out, their jewel tones, elegant lines, and complex textures managing to look simultaneously contemporary and timeless.

A sweet morality tale of cosmic misadventures and sibling rivalry. (Picture book. 4-7)

Pub Date: Oct. 11, 2016

ISBN: 978-1-60887-732-4

Page Count: 24

Publisher: Insight Kids

Review Posted Online: June 28, 2016

Kirkus Reviews Issue: July 15, 2016

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Between its autumn and field-trip themes and the fact that not many books start countdowns from 20, this may find its way to...

PUMPKIN COUNTDOWN

A class visits the pumpkin patch, giving readers a chance to count down from 20.

At the farm, Farmer Mixenmatch gives them the tour, which includes a petting zoo, an educational area, a corn maze and a tractor ride to the pumpkin patch. Holub’s text cleverly though not always successfully rhymes each child’s name within the line: “ ‘Eighteen kids get on our bus,’ says Russ. / ‘But someone’s late,’ says Kate. / ‘Wait for me!’ calls Kiri.” Pumpkins at the tops of pages contain the numerals that match the text, allowing readers to pair them with the orange-colored, spelled-out numbers. Some of the objects proffered to count are a bit of a stretch—“Guess sixteen things we’ll see,” count 14 cars that arrived at the farm before the bus—but Smith’s artwork keeps things easy to count, except for a challenging page that asks readers to search for 17 orange items (answers are at the bottom, upside down). Strangely, Holub includes one page with nothing to count—a sign marks “15 Pumpkin Street.” Charming, multicultural round-faced characters and lots of detail encourage readers to go back through the book scouring pages for the 16 things the kids guessed they might see. Endpapers featuring a smattering of pumpkin facts round out the text.

Between its autumn and field-trip themes and the fact that not many books start countdowns from 20, this may find its way to many library shelves. (Picture book. 4-7)

Pub Date: July 1, 2012

ISBN: 978-0-8075-6660-2

Page Count: 32

Publisher: Whitman

Review Posted Online: May 16, 2012

Kirkus Reviews Issue: June 1, 2012

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A mind-stretching outlook that may help youngsters with change—and will certainly cause them to think.

THE END IS JUST THE BEGINNING

A cyclical take on life.

Endings can sometimes feel sad or heavy in their finality. But Bender reverses this perspective. In fact, the story starts, as a tiny caterpillar tells readers, with “THE END.” A young tot on a bed closing a book looks puzzled. Bender acknowledges the absurdity. “But wait—how can a book possibly start with the end? That’s ridiculous.” It’s not, once you change your frame of reference. Continuing in a conversational tone, Bender gives examples. Some are personal and immediate: “The end of a disagreement with someone … / is just the beginning of making up.” Others are more abstract: “When you count, the end of one number is just the beginning of the next number… / and so on and so on and so on, all the way to infinity, which, by the way, NEVER ends!” Two friends or perhaps siblings (one with brown skin and brown hair in two Afro puffs, the other with pale skin and straight, black hair) act out the scenarios, which are strung together over the course of a day from one morning to the next. Mayo’s illustrations also dance between concrete and abstract, illustrating disagreement with one kid scowling, sitting back to the other, who looks distressed, next to a ruined sand castle and infinity with an image of the two kids cycling along an enormous infinity sign. In a meta-infused closing, Bender concludes with “THE BEGINNING / (of discovering the next book).” A cleverly placed butterfly flits away. The hazy wash over muted tones gives a warm, cozy embrace to the message. (This book was reviewed digitally with 9-by-18-inch double-page spreads viewed at 48.2% of actual size.)

A mind-stretching outlook that may help youngsters with change—and will certainly cause them to think. (Picture book. 4-7)

Pub Date: April 20, 2021

ISBN: 978-1-984896-93-3

Page Count: 40

Publisher: Crown

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

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