A message-driven text at odds with the art’s fantasy and whimsy.

THE BOY WHO CRIED

Poor Billy.

While some stories send the message that it’s OK for boys to cry, the pale-skinned boy in this picture book needs no such assurance. He cries freely, often, and at the slightest provocation; what he needs is help achieving emotional regulation. Fed up with his tantrum over not getting a toy he wanted while out with his mother, Billy’s parents send him to his room, where he weeps and wails, with only his cat to comfort him. Before he falls asleep his mother says that his “tears have flooded the house up to my ankles!”; his father says the flood has reached his knees. Text and art suggest that readers should accept this literally, but readers may wonder whether it is in fact figurative speech that then provokes Billy’s dream of being adrift in a sea of his own tears. Ultimately Tubbs the cat saves the day by drinking down all those tears, then sending Billy falling back into wakefulness and out of his dream. He immediately finds his parents, lesson learned: “while it’s okay to cry sometimes, throwing a tantrum only causes a flood of problems!” This moralistic conclusion offers no practical strategies for readers coming to the book with similar emotional issues. Le’s illustrations feature fine, black outlines and rich colors set on backgrounds that suggest mottled textures.

A message-driven text at odds with the art’s fantasy and whimsy. (Picture book. 4-6)

Pub Date: April 4, 2017

ISBN: 978-1-60887-730-0

Page Count: 24

Publisher: Insight Kids

Review Posted Online: Feb. 14, 2017

Kirkus Reviews Issue: March 1, 2017

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Intended as an amusing parody, this groans with outdated irrelevance and immaturity.

GOLDIE'S GUIDE TO GRANDCHILDING

While spending the day with Grandpa, young Goldie offers tips on the care and keeping of grandparents.

Though “loyal and loving,” Goldie’s grandfather proves to be quite a character. At Grandparents Day at school, his loud greeting and incessant flatulence are embarrassing, but Goldie is confident that he—and all grandparents—can be handled with the “right care and treatment.” The young narrator notes that playtime should involve the imagination rather than technology—“and NO video games. It’s just too much for them.” Goldie observes that grandparents “live on a diet of all the things your parents tell them are bad for them” but finds that Grandpa’s favorite fast-food restaurant does make for a great meal out. The narrator advises that it’s important for grandparents to get plenty of exercise; Grandpa’s favorite moves include “the Bump, the Hustle, and the Funky Chicken.” The first-person instruction and the artwork—drawn in a childlike scrawl—portray this grandfather in a funny, though unflattering, stereotypical light as he pulls quarters from Goldie’s ears, burps on command, and invites Goldie to pull his finger. Goldie’s grandfather seems out of touch with today’s more tech-savvy and health-oriented older people who are eager to participate with their grandchildren in contemporary activities. Though some grandparent readers may chuckle, kids may wonder how this mirrors their own relationships. Goldie and Grandpa are light-skinned; Goldie’s classmates are diverse. (This book was reviewed digitally.)

Intended as an amusing parody, this groans with outdated irrelevance and immaturity. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-1-250-24932-6

Page Count: 40

Publisher: First Second

Review Posted Online: April 13, 2022

Kirkus Reviews Issue: May 1, 2022

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Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.

THE DINKY DONKEY

Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).

Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-338-60083-4

Page Count: 24

Publisher: Scholastic

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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